2018
Kikagaku Moyo w/ Sarah Louise
October
20
Saturday
Doors 8:30, Show 9:30 - $12adv / $14
SOLD OUT
Kikagaku Moyo
Kikagaku Moyo/幾何学模様 (Japanese for Geometric Patterns) is the musical union between five free spirits. Go Kurosawa (drums, Vocals) and Tomo Katsurada (Guitar, Vocals) formed the band in 2012 as a free artist’s collective. They met Kotsuguy (Bass) while he was recording noise from vending machines and Akira (Guitar) through their university. Ryu Kurosawa had been studying Sitar in India, upon returning home he found the perfect outlet for his practice.

They recorded their first EP in a day and posted it to Bandcamp. On the other side of the world, a small label from Greece was listening and offered to press a limited run of LPs. Interest picked up through the blogging community and the band found tight group of dedicated fans around the globe. Since 2013 the band has released two full lengths, an EP, and several singles. They have toured Australia, the United States, Europe and Japan extensively. Kikagaku Moyo love to connect with people through performing, whether they are playing in a barn deep in a Swedish forest, on a desolate Mediterranean beach, or beside a sleepy river at 2014’s Levitation Fest they bring out the magic in everyone present.

Their latest release “House in the Tall Grass” (Guruguru Brain) was recorded in the winter of 2015/16 in Tokyo. Their delicate use of melody and soft vocal harmonies contrast seamlessly with fuzzed out sitar riffs and feedback. To Kikagaku Moyo a song is like a breath of wind through the leaves or a fish jumping from the water. Their music is a conversation—sometimes delicate and tender other times explosive, but always human and always changing.
Sarah Louise
On Deeper Woods (THRILL JOCKEY), the verdant forest that surrounds Sarah Louise’s North Carolina home can be felt with each note. Louise’s poetic depictions of nature both lyrical and musical are animated and reverent. Lauded for her work as an accomplished 12-string solo guitarist, Deeper Woods is the first album to prominently feature her voice. Louise enriches her warm singular vocal sound with a lush variety of instruments as well as layers of harmonies that together create a tapestry of texture. Steeped in Appalachian folk traditions, Louise’s influences are much broader with shades of psychedelia and experimentalism, pushing her beyond genre constraints. Incorporating both traditional and modern methods of composition, Deeper Woods is a reflection on the struggle between peaceful isolation and the need for community. Sarah Louise’s Deeper Woods is as vivid in its beauty as it is transcendent.

Louise, an avid naturalist and forager, draws from the guidance that the natural world provides. Whereas portrayals of women in nature are often demeaning and powerless, a folk waif, Louise uses songs such as “Pipevine Swallowtails” to reframe them more powerfully. By reframing traditional music styles and lyricism with a feminist stance, Deeper Woods blends the spiritual with the cerebral. Sarah Louise is actively blending natural themes with explorations of complex emotions. The Appalachian valley is the setting for her stories of independence, solitude, and awe. “Bowman’s Root” and “Fire Pink And Milkweed” take their names from plants that grow on the edges of meadows, reflecting the album’s central theme of liminality. These liminal spaces and complicated emotions are made ever clearer by Louise’s nuanced performances and arrangements, with subtle melodic flares and delicate, sometimes dramatic, shifts in atmosphere.

The compositions of Deeper Woods are Louise’s most ambitious to date. Initially taking shape as a capella pieces, she began superimposing her vocal melodies over solo guitar pieces, meticulously reforming phrases until they fit. Although the album features moments of densely layered harmony, Louise kept guests on the album limited to only few close friends, instead opting to teach herself how to play instruments such as recorder and piano. “The Field That Touches My House and Yours” eschews the use of guitar entirely, replacing Louise’s signature intricate picking patterns with warm keyboards and synthesizers. The hazy waves of distortion on “When Winter Turns” is propelled by drummer and frequent collaborator Thom Nguyen accompanied by the nimble bass of Jason Meagher (Black Dirt Studios).

While Meagher mixed the record, Louise produced and engineered the majority of the album herself, allowing her to control and shape her singular vision. Working in her own studio in close proximity to nature enabled Louise ample time to painstakingly refine each piece of Deeper Woods. Integrating elements of drone, spiritual jazz, and minimalism into her compositions, Sarah Louise makes music that is a distillation of her diverse inspirations, masterful musicianship, and unique perspective. Sarah Louise’s Deeper Woods is an album of remarkable sincerity and grace.
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