2017
Colleen w/ Shane Parish, Falcon Mitts
November
14
Tuesday
Doors 8:30, Show 9:30 - $12adv / $14
Tickets, please
Colleen
Colleen is the alias of French musician Cécile Schott, who over the course of five albums has consistently reinvented herself by taking acoustic instruments out of their usual context and pushing the boundaries of their playability, with compositions ranging from the mysterious and contemplative to kinetic and playful. Colleen has played live all over Europe, the US, Japan, Brazil and Singapore, giving more than 200 concerts in prestigious venues and festivals such as Moogfest, Big Ears, Mutek, Transmediale, Villette Sonique, Rewire and many more.

From 2003 to 2007, she released three albums on The Leaf Label. While Everyone Alive Wants Answers (2003) was made up entirely of acoustic samples taken from her eclectic record collection, The Golden Morning Breaks (2005) saw her exploring a wide range of acoustic instruments which she all played herself.

In 2006 French radio station France Culture’s commission for a “radiophonic workshop” became the Colleen et les Boîtes à Musique EP, focusing on the sound world of music boxes. 2007’s Les Ondes Silencieuses fulfilled her dream of making a modern album using almost exclusively baroque instruments (viola da gamba, spinet, clarinet, classical guitar and crystal glasses).

After a break from recording and touring, Colleen returned with The Weighing of the Heart in May 2013 on Second Language, with a significant shift in approach, focusing on the voice and on a more colorful and rhythmic approach, still using a wide variety of instruments and introducing a modified treble viola da gamba.

Her fifth album Captain of None, released on Thrill Jockey in 2015, is the most melodic in her repertoire, with fast-paced tracks rooted by prominent bass lines and her instruments of choice, the treble viola da gamba and her voice. It features delicately crafted, other-worldly pop songs incorporating dub-inspired techniques.

She will release her 6th album this fall on Thrill Jockey, this time focusing on electronics and voice.


Press quotes:
-NPR Music’s 50 Favorite Albums of the Year

-NPR Music’s Top 10 Electronic Albums of the Year

-Jon Caramanica (New York Times) Top 10 Albums of the Year

“Exquisite, precise music made of unlikely inputs ... The result is like a heart that pumps blood and also data.” –New York Times

“It is a wondrous concoction, simultaneously ancient and modern, brought together by technology and the ear of a woman who unites epochs.” –NPR

“French pop composer Cecile Schott sounds as if she’s whispering her dubbed-out lullabies from the bottom of the ocean.” –Washington Post

“But more important than what jumps out at you is what doesn’t: silence, delay and the hypnotic effect of repetition are as much instruments as the musical instruments themselves. Those are all qualities we usually associate with techno, and that’s where Schott really shines.” –Resident Advisor

“Captain of None is yet another absolutely stellar Colleen album.” –Brainwashed

“This newly arrived 2015 follow-up is the classic reaffirmer that galvanizes what precedes even as it quietly surpasses” –Tiny Mix Tapes

“If eclectic, Schott’s oeuvre is an inviting one, in particular most recently, and it’s readily clear she’s interested in a dialogue with as many open ears as can be reached. Through Captain of None it’s just as apparent that as Colleen she remains a thousand miles away from pandering for listenership.” –The Vinyl District

“More than any sort of technical achievement or genre alteration, Captain of None powerfully blends the mythic, organic, and
internal.” –Consequence of Sound

“In fact, there are times on Captain of None where the album’s architecture is so compelling it’s easy to miss the resonance of the songs themselves. But pieces like “I’m Kin” and the title track positively vibrate with melodic ideas, their lyrics filled with oblique little koans.” –Pitchfork

“There’s worlds of space in the song, yet it still teems with activity, like a window looking out onto a blizzard.” –Pitchfork

“Schott dares you to pay attention to the slightest movements in her alien world.” –Consequence of Sound

“The result is gorgeous, like a quietly brewing storm of layered pizzicatos, bouncing off the walls and grazing your ears as they glide past you.” –Stereogum
Shane Parish
Here is a boy who, at age 14, picks up a guitar for the first time and decides “this is it!” This is the escape hatch from the tragedy and trauma of an unstable childhood in the sweltering heat, chaos and congestion of sunny Fort Lauderdale, Florida. In music Parish finds stability and eternity and truth, elevated beyond the work-a-day grind and fight for mere survival. There is no music in his childhood home aside from what is being administered on the TV and radio, so music must be sought out and discovered, in the days before everything is instantly discoverable. There is jazz and blues and Cuban and classical music in South Florida. There are innumerable Florida death metal bands and Marilyn Manson is an unsigned local act. Riffs by Iron Maiden and Metallica and Pink Floyd are being passed around by friends, and the friends form bands, and write songs, and try to be original. The ego is broken down and made permeable by the ingestion of psychedelics, and music and life become integrated on a cellular and spiritual level… Naturally, school and work hold very little interest at this point, and the boy Parish drops out and tells everyone he is going to just play guitar.

Here is a young man who, at age 26, has just played his first international jazz festival in Austria with his confrontational, no-holds-barred, avant-garde, instrumental rock band, Ahleuchatistas [AH-LOO-CHA-TEES-TAS]. It’s really just a punk band in this incarnation, almost like Fugazi meets Captain Beefheart. The crowd loves it and the world feels less lonely. Parish is on the cusp of wrapping up a university degree in philosophy, in which he becomes deeply immersed in the anarcho-musico-Buddhist ideas of composer John Cage. He has long dipped his toe in different styles of guitar playing, but has barely scratched the surface, really. Parish’s explorations are now led by an ethos of wide open curiosity and awareness. Jazz is an obsession and John Coltrane is a guiding light in any situation. There is a radio interview with Coltrane in the early 60’s, just before he goes on to record “A Love Supreme”, in which he talks about how he is currently trying to “deepen his roots” because he “skipped over a lot of stuff”. This conversation leaves a lasting impression.

Here is a family man who, at age 38, makes his living playing gigs and teaching lessons. Still very much the experimentalist, touring musician and collaborator, with over 20 albums in his discography, he has spent the past decade cultivating a more embodied approach to playing the guitar: how to pull out the most beautiful sound, or whatever desired effect, by following the breath and touching the string just so. Parish has taught himself classical guitar, as a practice like meditation or Yoga or Tai Chi. As a boy he thought the tape was warped and that was why Andres Segovia’s guitar sounded like flowing water. Now Parish knows that being completely in the moment is the real cause. He turns to the blues and folk music where a universal magic is being shared and passed down generations and permeating every other form of music. Elizabeth Cotten and John Hurt hypnotize and heal with a simple root-five bass line, like a pulse, in four-four time and fill up all the cracks with sparkling melody. Parish sings folk songs to his young daughter and, through her new ears, begins to truly appreciate the regional music of his adopted home in the Appalachian town of Asheville, North Carolina. One winter’s night, just before bed, he thinks, “I’ll write an arrangement of ‘The Cuckoo’ for solo guitar.” Instead, Parish records 45 minutes of music, twelve folk songs, in a trance-like effortless stream of free association. He goes to sleep. It’s as if someone else played it, and he listens to the recording in the coming days twenty or more times. He sends it to friends and labels. The music catches the ear of the great and famous composer and saxophonist, John Zorn, who lives up in New York City. Zorn asks Parish if he would like to record on better equipment, offering him a small budget, and tells him that he can record it whenever he feels ready.

Six months later a recording session in a cabin in the woods yields a 15-song album of original arrangements and improvisations of gospel, folk, blues, field hollers, Child ballads, Scottish traditionals, and Appalachian tunes. Undertaker Please Drive Slow.
Falcon Mitts
"Patrick Kukucka creates free reed worlds."
text list
with images
venue info
Sep
19
Wednesday

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w/ Sally Anne Morgan, Emmalee Hunnicutt

Doors 8pm, Show 9pm - $8

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20
Thursday

The Moth: True Stories Told Live (Theme: Education)



Doors 7, Stories 7:30 - $10

Tickets, please
Sep
21
Friday
Asheville Rock Collective Presents...

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w/ Wyla, Skunk Ruckus

Doors 8:30, Show 9pm - $5

Sep
22
Saturday

Nathanael Roney presents "In Its Testimony"



8pm - $5

Sep
24
Monday
"An Evening With"

William Fitzsimmons



Doors 8pm, Show 9pm - $18adv/ $20

Tickets, please
Sep
25
Tuesday

Mothers

w/ Lala Lala

Doors 8pm, Show 9pm - $12adv / $14

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Sep
26
Wednesday

Gobbinjr

w/ Thelma, Nathanael Jordan

Doors 8pm, Show 9pm - $8

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Sep
27
Thursday

Olivia Gatwood (Spoken Word/Poet)

w/ Joaquina Mertz

Doors 7pm, Seated Show, All Ages - $12adv / $15

Tickets, please
Sep
28
Friday
Asheville Rock Collective Presents...

Egg Eaters

w/ Tongues of Fire, Mr. Mange, The Dirty Badgers

Doors 8:30, Show 9pm - $5

Sep
29
Saturday

Ohmme

w/ Ahleuchatistas

Doors 8:30, Show 9:30 - $10adv / $12

Tickets, please
Sep
30
Sunday

SALES

w/ TBA

Doors 8pm, Show 9pm - $15adv / $17

Tickets, please
Oct
01
Monday
Free Mothlight Monday!

Moonlight Street Folk

w/ Bless Your Heart, Lo Wolf

9pm - $Free!

Oct
02
Tuesday

Sunwatchers

w/ Nest Egg

Doors 8:30, Show 9:30 - $8

Oct
03
Wednesday
Charlie Traveler Presents...

An Evening with Eric Lindell



Doors 7pm, Show 8pm - $20adv / $25

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Oct
04
Thursday

Kuzu (Rempis/Dorji/Damon)

w/ Bruce Lamont, Kevin Hufnagel

Doors 8pm, Show 9pm - $8adv/ $10

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Oct
05
Friday

Spaceman Jones and The Motherships (EP Release!)



Doors 8:30, Show 9:30 - $8

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Oct
08
Monday

Phil Cook

w/ Andy Jenkins

Doors 8pm, Show 9pm - $12adv / $15

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Oct
10
Wednesday

Molly Burch

w/ Olden Yolk (duo)

Doors 8:30, Show 9:30 - $10adv / $12

Tickets, please
Oct
12
Friday
The Mothlight 5 Year Anniversary Weekend!

Mamadou Kelly

w/ TBA

Doors 8pm, Show 9pm - $15

Tickets, please
Oct
13
Saturday
Thank You For 5 Years!

The Mothlight 5 Year Anniversary!

w/ Wolf Eyes, CAVE, Drums Like Machine Guns, Thom Nguyen, Nathanael Roney

Doors 8pm - $Free!

Oct
15
Monday
"Free Mothlight Monday"

Valley Maker

w/ Gold Light & Snakemusk, Grace Joyner

Doors 8pm, Show 9pm - $Free!

Oct
16
Tuesday

White Denim

w/ Rotem

Doors 8pm, Show 9pm - $15

Tickets, please
Oct
17
Wednesday

Natalie Prass

w/ Stella Donnelly

Doors 8pm, Show 9pm - $15

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Oct
18
Thursday

The Moth: True Stories Told Live (Theme: Disguises)



Doors 7, Stories 7:30 - $10

Oct
19
Friday
MC Chris performing MC Chris Is Dead in its entirety !

MC Chris

w/ Dual Core, LEX the Lexicon Artist

Doors 8:30, Show 9:30 - $13adv / $15

Tickets, please
Oct
20
Saturday

Kikagaku Moyo

w/ TBA

Doors 8:30, Show 9:30 - $12adv / $14

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Oct
23
Tuesday

Mirah

w/ Tomberlin

Doors 7pm, Show 8pm - $13adv / $15

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Oct
24
Wednesday

Guerilla Toss

w/ Space Heater, Kreamy 'Lectric Santa

Doors 8:30, Show 9:30 - $10adv / $12

Tickets, please
Oct
30
Tuesday

Days N Daze

w/ The Bridge City Sinners

Doors 8:30, Show 9:30 - $13adv / $15

Tickets, please
Nov
01
Thursday

The Nude Party

w/ Glove, Kitty Tsunami

Doors 8:30, Show 9:30 - $12adv/ $14

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Nov
03
Saturday

Slothrust

w/ Mannequin Pussy

Doors 8:30, Show 9:30 - $12adv / $14

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Nov
08
Thursday
Worthwhile Sounds Presents...

Vetiver (solo) + Fruit Bats (solo)



Doors 8p, Show 9pm / Seated Show - $15adv/ $18

Tickets, please
Nov
09
Friday

Ian Sweet

w/ Young Jesus

Doors 8:30, Show 9:30 - $12adv / $14

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Nov
15
Thursday

The Moth: True Stories Told Live (Theme: Beginnings)



Doors 7, Stories 7:30 - $10

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Nov
16
Friday

Amigo The Devil

w/ Harley Poe

Doors 8:30, Show 9:30 - $10adv / $12

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Nov
23
Friday

Tera Melos

w/ TBA

Doors 8:30, Show 9:30 - $12adv / $14

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Dec
08
Saturday

Flint Eastwood

w/ TBA

Doors 8pm, Show 9pm - $12adv / $14

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Dec
11
Tuesday

Swearin'

w/ TBA

Doors 8:00, Show 9:00 - $12adv/ $14

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Dec
12
Wednesday

Cult Leader

w/ Primitive Weapons, God Mother

Doors 8pm, Show 9pm - $12adv/ $14

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Dec
20
Thursday

The Moth: True Stories Told Live (Theme: Instincts)



Doors 7, Stories 7:30 - $10

Tickets, please