2019
Andrew Combs & Caitlin Rose
March
05
Tuesday
Doors 8pm, Show 9pm - $12adv/ $14
Tickets, please
Andrew Combs & Caitlin Rose
ANDREW COMBS, a Dallas native now living near the same Nashville airport immortalized in the opening sequence of Robert Altman’s country music odyssey, is a singer, songwriter, guitarist, and heir to that 1975 film’s idea of the Nashville troubadour as a kind of musical monk. Here in the twenty-first century whorl of digital narcissism, where identity can feel like a 24/7 social media soft-shoe performance, Combs makes music that does battle with the unsubtle. Like the pioneering color photographer William Eggleston, he sees the everyday and the commonplace as the surest paths to transcendence, and he understands intuitively that what is most obvious is often studded with the sacred.

On his EP, 5 Covers & A Song (New West Records), Combs showcases songs that have had an impact on him at different points in his life. Songs by The Strokes and Radiohead are a nostalgic look back at teenage self discovery, while Loudon Wainwright III’s “4 x 10” represents a more current perspective, reflecting on his life now as a husband and father.

“4 x 10 sparked the initial idea to record a collection of covers,” says Combs. “Jordan Lehning (producer) and I had a bonding moment over this tune and how perfect we thought it was. In fact, we even thought of doing the whole EP of just Loudon songs. In my opinion he is one of the few writers who can cover the territory of familial relationships in such a shrewd and comfortable manner.

“I wanted at least a couple of these tunes on the EP to be nostalgic for me,” Combs continues. “I was a huge fan of The Strokes’ two first records when I was in high school. My friends and I used to dress like them — I had a white belt and white chucks I’d rock every day! I actually have Radiohead to thank for getting me into music. I remember the exact moment when my friend passed me a burned CD of Amnesiac in history class one day. I was probably 14. It was my first Radiohead record, and I worked back in their catalog from there, loving everything I heard. They still mean a lot to me as a band. Everything they do pushes into new territory — music, lyrics, artwork, etc… “

The idea for the EP evolved as a setting to recognize some of his favorite songwriters. “We all know that Blake Mills is a tremendous guitar player, but it’s his knack for songwriting and arranging that keeps me coming back to his records. Lucinda is the queen of songwriting in my book. No one else can portray a picture like her. She’s up there with Tom Waits, Townes and Guy Clark when it comes to words. I wanted a love song on the EP — something that came from a feeling of adoration. It’s a simple bed of music that her words dance on, but the build of the tune helps portray the yearning for someone. I couldn’t be happier with this version. I’d like to think Lucinda would enjoy it as well.”

The final track on the album, “Expectations,” is the sole original song on the EP. “This is a tune Sarah Siskind and I came up with on a rainy afternoon here in Nashville. We got to talking about relationships. I remember repeating a quote from a friend, saying, “you only get what you expect,” meaning that if you have expectations about someone close to you, positive or negative, they most likely will come true in your mind.”
CAITLIN ROSE
Exploring your emotions can make for a good song, but it’s shining light on those which plague us all that builds the backbone of the truly great ones. Coupled with tireless melodies that seep into the small spaces between your bones; it’s the kind of music that brings on little movements when life has gotten too stiff. This is what Caitlin Rose does best. Her lyrics – visceral, illustrative, witty and wry – are pieces of stories that examine matters of the heart through a unique lens that makes us all see a bit more clearly: from the loneliness of relationships, to palpable dissolving human connectivity, to the loss of love with none of the melodrama. At her core, Nashville’s Rose is a storyteller and a song-crafter who is more interested in what’s being produced than how it helps her along the way.

Though much of her acclaimed debut Own Side Now was personally-inspired, what stood out most was its ability to paint a picture and tell a near-cinematic story, from the simultaneous last puffs of both cigarette and relationship, to the delightfully seedy characters pocketed in a coin-toss on the streets of New York City. With her follow-up, The Stand-In, Rose seems more interested in telling tales than spilling confessionals. “It feels more compelling to live through a song than it did having already lived it,” she says, The Stand-In is a journey down a road she’s always wanted to take: the path of the story-song. One track, “Pink Champagne,” inspired by a Joan Didion short essay, accounts for the desperate, short-lived passions of a Vegas wedding. The emotions stem from both protagonists, but are dissected and recounted by the watchful eye of the chapel or some honest observer from within. This collection of songs seems bent on investigating relationships from different perspectives; male and female, young and old, left and leaving, but they all tackle the bitter farewells, romantic misunderstandings and endless responsibilities in life. Using fibers of her fringe country roots and the bold musical capabilities of fellow producers/co-writers, Jordan Lehning and Skylar Wilson (Justin Townes Earle), The Stand-In seamlessly melds pedal steel guitar with restless pop beats, creating lush instrumentals that build on the more spare construction of Own Side Now. ”These songs are all based in sentiment. We wrote the stories to convey a feeling.” The result is infinitely more universal.

Rose doesn’t like to categorize her music, but like the great songwriters of our time, what she creates is beyond easy classification. While she often mentions core influences like Linda Ronstadt, Bob Dylan and Patsy Cline, she’s constantly absorbing books, movies, cultural ticks: when explaining her writing style, she pulls a quote from famed 1930′s daredevil, Karl Wallenda who said, “being on the wire is life; the rest is just waiting.” The quote is referenced in Bob Fosse’s 1979 semi-autobiographical film, All That Jazz. The film was written and directed by the famed choreographer turned director whose colorful personality and editorial brilliance became a lead inspiration in the making of The Stand-In. In the context of the scene in which it’s used, the quote comes off as a bit of a put-on, but somehow rings true for ‘slave to show-biz’ character Joe Gideon; and Rose as well for whom, all paths lead to the song. Much like Fosse, she tends to describe her work as restrained and deliberate, something evident on Own Side Now. Though for The Stand-In, she’s taken a few leaps outside her comfort zone, making the result, as she puts it, something like a “first attempt at a high kick.”

It’s fitting that Rose wrote her first song at sixteen as a substitution for a high school paper. Even as a means to an end, she recognized the power of music, and of melody, to relay emotions and stories in the most gripping way possible. A youthful observer, she enjoyed hanging out after school at the local Waffle House drinking cups of coffee and quietly shaping bits of gossip into first person tales of woe.

Growing up in Nashville to music industry parents (her mother, Liz Rose, is a songwriter who found success working with artists like Taylor Swift, Leann Womack and others), Rose inherited her mother’s “inclination towards melody –the ability to naturally know where melody could and should go” early on and again credits her love of songwriting to a long list of influences, many of which would be easily found in either of her parents record collections. From Hank Williams to The Rolling Stones, she says, “I’ve always been more inspired by what others have done.”

This is evident in her penchant for covers – two have made their way onto The Stand-In (“I Was Cruel,” by The Deep Vibration and “Dallas” by The Felice Brothers). She considers herself not just a writer, but an interpreter of song, eager to take works she admires and expose others to their brilliance and also reinvent them in a way that upon listening you might catch something you missed before.

“For me the intention behind any song is writing a good one,” Rose says “and to create something worthy enough to share with other people” Rose’s songs, however, are way beyond worthy. They’re downright necessary.
text list
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venue info
Jan
21
Monday
Free Mothlight Monday!

Jon Mueller

w/ Thom Nguyen

Doors 8pm, Show 9pm - $Free

Jan
22
Tuesday
NARAL Pro-Choice North Carolina Presents...

Rock for Roe Benefit Show w/ Big Sound Harbor



Doors 7pm, Show 8pm

Jan
23
Wednesday

Savannah Smith and Southern Soul

w/ J.W. Teller

Doors 8pm, Show 9pm - $5

Jan
24
Thursday

2019 Asheville Fringe Festival: Mothlight Triple Feature *Night 1* 7pm



7pm - $13

Tickets, please
Jan
24
Thursday

Mothlight Double Feature: 2019 Asheville Fringe Festival *Night 1* 9pm



9pm - $13

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Jan
25
Friday

2019 Asheville Fringe Festival: Mothlight Triple Feature *Night 2* 7pm



7pm - $13

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Jan
25
Friday

Mothlight Double Feature: 2019 Asheville Fringe Festival *Night 2* 9pm



9pm - $13

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Jan
26
Saturday

Amen Dunes

w/ Arthur

Doors 8pm, Show 9pm - $15adv/ $17

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Jan
27
Sunday
Worthwhile Sounds Presents...

Marco Benevento

w/ Daniel Shearin (of River Whyless)

Doors 8pm, Show 9pm - $15

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Jan
29
Tuesday

Daniel Romano

w/ T. Hardy Morris

Doors 8pm, Show 9pm - $12adv/ 15

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Jan
31
Thursday

Liz Cooper & The Stampede

w/ New Madrid

Doors 8pm, Show 9pm - $13adv/ $15

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Feb
01
Friday
Benefit for Blue Ridge ABC!

Blvck Mvss-Vvitchgang Coven Showcase



Doors 8pm, Show 9pm - $7

Feb
02
Saturday

Sarah Louise

w/ Paula Stretch, Kima Moore

Doors 8pm, Show 9pm - $8adv, $10

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Feb
06
Wednesday

The Half That Matters

w/ Jaeb, Shutterings

Doors 8pm, Show 9pm - $5

Feb
07
Thursday

Jon Hatchett Band

w/ Hearts Gone South

Doors 8pm, Show 9pm - $8adv/ $10

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Feb
08
Friday

Curt Castle (Album Release Show!)

w/ Riley Parker, Nathanael Jordan

Doors 8:30, Show 9:30 - $FREE for 21+, $5 for underage

Feb
11
Monday
Worthwhile Sounds Presents...

Valley Queen

w/ TBA

Doors 8pm, Show 9pm - $12adv/ $15

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Feb
12
Tuesday

W00DY

w/ 3 Cherries, Nostalgianoid

9pm - $5

Feb
15
Friday

Sirius.B

w/ Upland Drive

Doors 8pm, Show 9pm - $8adv/ $10

Tickets, please
Feb
17
Sunday

Æther Realm

w/ Wilderun, Covenator

Doors 8pm, Show 9pm - $10adv/ $12

Feb
19
Tuesday

Daughters

w/ Wolf Eyes, HIDE

Doors 8pm, Show 9pm - $18adv/ $20

SOLD OUT
Feb
23
Saturday

Buck Meek

w/ Twain

Doors 8pm, Show 9pm - $10adv/ $12

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Feb
27
Wednesday

Agent Orange

w/ The Last Gang

Doors 8pm, Show 9pm - $15adv/ $18

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Feb
28
Thursday

Post Animal

w/ Ron Gallo, Duncan Fellows

Doors 8pm, Show 9pm - $13adv/ $15

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Mar
01
Friday
Worthwhile Sounds Presents...

The Mother Hips



Doors 8pm, Show 9pm - $15

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Mar
02
Saturday

The Dead Tongues

w/ TBA

Doors 8pm, Show 9pm - $10adv/ $12

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Mar
03
Sunday
Worthwhile Sounds Presents...

William Tyler

w/ TBA

Doors 7pm, Show 8pm - $15adv/ $18

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Mar
05
Tuesday

Andrew Combs & Caitlin Rose

w/ ,

Doors 8pm, Show 9pm - $12adv/ $14

Tickets, please
Mar
06
Wednesday

Speedy Ortiz

w/ OHMME

Doors 8:30, Show 9:30 - $13adv/ $15

Tickets, please
Mar
07
Thursday

Molly Nilsson

w/ Apostille

Doors 8:30, Show 9:30 - $12adv/ $14

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Mar
08
Friday
Sound Comedy Presents...

Stand Up Science w/ Shane Mauss



Doors 7pm, Show 8pm - $15adv/ $20

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Mar
09
Saturday
Worthwhile Sounds Presents...

MOVES (formerly Holy Ghost Tent Revival) Album Release Show!

w/ The Mystery Lights

Doors 8pm, Show 9pm - $12adv/ $15

Tickets, please
Mar
10
Sunday

Bellows

w/ Another Michael, Wednesday

Doors 8pm, Show 9pm - $8adv/ $10

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Mar
16
Saturday

Yoke Lore

w/ TBA

Doors 8pm, Show 9pm - $10adv/ $12

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Mar
17
Sunday

Lucifer

w/ Spell, Almuten

Doors 8pm, Show 9pm - $15

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Mar
23
Saturday
The Mothlight & Worthwhile Sounds Present...

Mountain Man **At The Masonic Temple**

w/ Jake Xerxes Fussell

Doors 7pm, Show 8pm - $22adv/ $25

SOLD OUT
Mar
30
Saturday

And The Kids

w/ TBA

Doors 8:30, Show 9:30 - $10adv/ $12

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Apr
02
Tuesday

Saintseneca

w/ TBA

Doors 8pm, Show 9pm - $12adv/ $14

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Apr
03
Wednesday
Literacy Council of Buncombe County Presents...

28th Annual Spelling Bee - "Beauty and the Bee"



6pm

Apr
10
Wednesday

Thelma and the Sleaze

w/ TBA

Doors 8:30, Show 9:30 - $10adv/ $12

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Apr
13
Saturday

Hand Habits

w/ Tasha

Doors 8pm, Show 9pm - $10adv/ $12

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Apr
20
Saturday
Worthwhile Sounds Presents...

The Wild Reeds

w/ TBA

Doors 8pm, Show 9pm - $15adv/ $18

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Apr
26
Friday

Laura Jane Grace & the Devouring Mothers

w/ Mercy Union, Control Top

Doors 6:30, Show 7:30 - $20adv/ $25

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Apr
30
Tuesday

Steve Gunn

w/ Gun Outfit

Doors 8pm, Show 9pm - $15adv/ $17

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May
07
Tuesday

Xiu Xiu

w/ TBA

Doors 8pm, Show 9pm - $13adv/ $15

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May
15
Wednesday
Worthwhile Sounds Presents...

Marc Rebillet

w/ TBA

Doors 8pm, Show 9pm - $15adv / $18

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May
19
Sunday

Lady Lamb

w/ TBA

Doors 8pm, Show 9pm - $15adv/ $17

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