2017
The Mothlight & Worthwhile Sounds Present **AT THE ASHEVILLE MASONIC TEMPLE**
Waxahatchee & Kevin Morby (Rare Solo Performances!) w/ Mary Lattimore
March
17
Friday
Doors 7pm, Show 8pm - $18adv / $20
Selling Fast, Hurry!
Waxahatchee & Kevin Morby (Rare Solo Performances!) **AT THE ASHEVILLE MASONIC TEMPLE**
Both Waxahatchee and Kevin Morby will be playing rare solo performances inside the beautiful Asheville Masonic Temple. Harpist Mary Lattimore opens. The Asheville Masonic Temple is located in Downtown Asheville at:
80 Broadway St, Asheville, NC 28801
Waxahatchee
Katie Crutchfield’s southern roots are undeniable. The name of her solo musical project Waxahatchee comes from a creek not far from her childhood home in Alabama and seems to represent both where she came from and where she’s going. Since leaving home, Crutchfield has drifted between New York and Philadelphia but chose to return to Alabama to write her first two albums: American Weekend, her debut filled with powerful lo-fi acoustic tracks full of lament, and Cerulean Salt, a more developed and solid narrative about growing up. Both are representations of a youthful struggle with unresolved issues and unrequited feelings.

Waxhatchee’s latest record, Ivy Tripp, drifts confidently from these previous albums and brings forth a more informed and powerful recognition of where Crutchfield has currently found herself. The lament and grieving for her youth seem to have been replaced with control and sheer self-honesty. “My life has changed a lot in the last two years, and it’s been hard for me to process my feelings other than by writing songs,” says Crutchfield. “I think a running theme [of Ivy Tripp] is steadying yourself on shaky ground and reminding yourself that you have control in situations that seem overwhelming, or just being cognizant in moments of deep confusion or sadness, and learning to really feel emotions and to grow from that.”

Recorded and engineered by Kyle Gilbride of Wherever Audio at Crutchfield’s home on New York’s Long Island—with drums recorded in the gym of a local elementary school—Ivy Tripp presents a more developed and aged version of Waxahatchee. “The title Ivy Tripp is really just a term I made up for directionless-ness, specifically of the 20-something, 30-something, 40-something of today, lacking regard for the complaisant life path of our parents and grandparents. I have thought of it like this: Cerulean Salt is a solid and Ivy Tripp is a gas.”

Crutchfield is accompanied by both Gilbride and Keith Spencer on Ivy Tripp, and the record was produced by all three of them. With the addition of more guitar work, piano, drum machines, and Crutchfield’s vocals in full bloom, we are given a record that feels more emphatic and pronounced. Ivy Tripp opens with “Breathless,” filled with only a distorted keyboard and layers of vocals, showcasing Waxahatchee’s pension for quiet, personal reflection. The record then opens up into “Under a Rock,” a quicker guitar-driven song that lays the foundation for the rest of the album, which as a whole resonates with strong, self-aware lyrics, energetic ballads, and powerfully hushed moments of solitude. Crutchfield’s voice is certainly the guiding force behind Ivy Tripp—commanding and voluminous in the rock song “Poison,” candied and pure in the frolicking “La Loose”—gripping you tightly and then softly releasing you into the wilds of emotion.

As far as her goals with Ivy Tripp, Crutchfield says, “I heard someone say that you have to be the change you want to see. I just want to be the kind of musician I want to see in the world. I want to present myself in a way that reflects that.”
Kevin Morby
Singing Saw is a record written simply and realized orchestrally. In it, Kevin Morby faces the reality that true beauty - deep and earned - demands a whole-world balance that includes our darker sides. It is a record of duality, one that marks another stage of growth for this young, gifted songwriter with a kind face and a complicated mind.

In the Autumn of 2014, Kevin Morby moved to the small Los Angeles neighborhood of Mount Washington. The move would shape Singing Saw, Morby's first album for new label Dead Oceans. Previous tenants at Morby's new home happened to leave an upright piano behind, with a few mysterious pieces of sheet music and an introductory book of common chords stacked on top. Thankful to finally be in one place for an extended spell, Morby, a beginner at the piano, immediately sat at the new instrument and began composing the songs that would form Singing Saw.

Alongside, he began taking long walks through the winding hills and side streets of the neighborhood each night, glimpsing views of both the skyline's sweeping lights and the dark, dried out underbrush of the LA flora. The duality of the city itself began to shape a set of lyrical ideas that he would refine with the sparse accompaniment of piano and acoustic guitar.

What is a singing saw It is an instrument that creates ethereal sounds, but it is also a tool: basic and practical while also being fearsome, even destructive. Morby watches the singing saw in its eponymous song; that instrument of eerie soft beauty cuts down the flowers in its path and chases after him, while his surroundings mock and dwarf him, Alice in Wonderland style. And in a singing saw, we can understand music as something more powerful than its inviting, delicate sound. No wonder Morby talks about a "songbook" in his head as something he needs to take up the hills so he can "get rid of it." Heavy themes are nothing new for Morby, whose previous records (2013's Harlem River and 2014's Still Life, both released on the Woodsist label) dealt with their own eerie visions and damning prophecies.

Morby opens Singing Saw with "Cut Me Down", a song of tears, debts and a prescient vision of being reduced to nothing. "I Have Been to the Mountain", "Destroyer" and "Black Flowers" continue to explore beauty and freedom, seizing upon the rot that seeps into even the supposedly safest of realms; peace, family and romantic love. By the end of the record on "Water", Morby is literally begging to be put out once and for all, like a fire that might burn all the visions away.

Travels beyond his mountain walks inform songs like "Dorothy", which recounts a trip to Portugal, witnessing a fishing ritual and luxuriating in the aura of a bar light-tinged reunion with old friends The touching innocence of "Ferris Wheel" stands alone in stark simplicity amidst the lush sonic textures of the album. Here, the album is balanced by Morby's signature sweetness and joie de vivre.

The arrangements of Singing Saw trace back to Morby's experience playing in The Complete Last Waltz, a live recreation of The Band's legendary last performance. There, Morby developed a fast friendship with producer/bandleader Sam Cohen (Apollo Sunshine, Yellow Birds), which led Morby to forgo recording in Los Angeles and take the nascent songs of Singing Saw to Isokon Studios in Woodstock, New York. There, in a converted A-frame house, they set about creating a record that would bring a sonic balance, intricacy and depth to match these songs and all that inspired them.

Sam Cohen added a multitude of instrumentation to the record (guitar, bass, drums and keyboard), and were joined by fellow Complete Last Waltz alum Marco Benevento on piano and keyboard, fleshing out Morby's original compositions and upholding the vision for a cohesive piano sound that serves as a touchstone for the entire album. Backup vocalists Hannah Cohen, Lauren Balthrop and Alecia Chakor contribute soaring harmonies; Nick Kinsey (Elvis Perkins) adds drums and percussion; Justin Sullivan, a longtime Morby collaborator and staple of his live band, contributes drums; Oliver Hill and Eliza Bag lift numerous songs with string accompaniments, and Alec Spiegelman on saxophone and flute and Cole Kamen-Green on trumpet bring dramatic swells. Finally, John Andrews (Quilt) adds the eerie lilt of the album's promise, providing saw on the "Cut Me Down" and "Singing Saw".

In the end, Morby fulfills the promise many heard on his first two albums, bringing his most realized effort of songwriting and lyricism to fruition. The songs of Singing Saw reflect the clarity that comes from welcoming change and embracing duality, and the distillation of those elements into an entirely new vision.
Mary Lattimore
Mary Lattimore is a harpist living in Philadelphia. She experiments with her Lyon and Healy Concert Grand harp and effects.

Her solo debut, The Withdrawing Room, was released in 2013 on Desire Path Recordings. http://experimedia.tumblr.com/post/46532399322/marylattimorestreamreview

Mary also writes harp parts for songs and recordings. She has performed and recorded with such great artists as Meg Baird, Thurston Moore, Sharon Van Etten, Jarvis Cocker, Kurt Vile, Steve Gunn, Ed Askew and Fursaxa.

Mary has been a part of soundtrack projects including the Valerie Project, Lopapeysa, a film by David Kessler set in Iceland, and the film score for Marina Abramovic: the Artist is Present, a documentary about the artist.

In March 2013, she accompanied Nick Cave’s beautiful horse soundsuits for the 100th anniversary of Grand Central Station in New York City.

Mary is a 2014 recipient of a Pew Fellowship in the Arts.
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Local DJs and Electronic Dance Music! Alec Sturgis, Miles Brown, Nate WP, Alex Brown



9:00pm - $Free

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Floral Print

w/ Brucemont, Truth Club, Too Bad Disco

9pm

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MANAS August Residency at The Mothlight!

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w/ Bill Coonan, Wes McCoy and Harvey Leisure, X A M B U C A

9pm - $5 Suggested

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03
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Tam Tsu

w/ House and Land, Thom Nguyen/ Nathan Olson Duo

Doors 8:30 Show 9:30 - $5

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05
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Gutterhound

w/ The Black River Rebels, The Shrünken Heads

Doors 8:30, Music 9:30 - $5

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Aug
06
Sunday

Adam Torres

w/ Daniel Shearin

Doors 8:30, Show 9:30 - $8adv / $10

Tickets, please
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Aug
07
Monday
Free Monday!

Omni

w/ Wyla, Shaken Nature

9pm - $Free

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08
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MANAS August Residency at The Mothlight!

MANAS

w/ Meg Mulhearn, 1970's Film Stock, Ed Yazijian

9pm - $5 Suggested

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Aug
09
Wednesday

Laetitia Sadier Source Ensemble

w/ Art Feynman

Doors 8pm, Show 9pm - $12adv / $14

Tickets, please
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Aug
10
Thursday

Carly Taich

w/ Maddie Shuler, Livingdog

Doors 8:00, Show 9:00 - $5

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Aug
11
Friday

Sweet Knives

w/ The Missing Stares, The Chickenhawks

Doors 8:30 Show 9:30 - $8

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Aug
12
Saturday

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w/ To Forget, VIA

Doors 8:30 Show 9:30 - $5

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Aug
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Sunday
The Grey Eagle and The Mothlight Present...

**AT THE GREY EAGLE** Waxahatchee

w/ Palehound, Outer Spaces

Doors 7pm - $15adv / $18

Tickets, please
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Aug
15
Tuesday
MANAS August Residency at The Mothlight!

MANAS

w/ DUNUMS, Ancestral Duo

9pm - $5 Suggested

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Aug
17
Thursday

The Moth: True Stories Told Live (Theme: Caution)



7pm

Aunt Sis
Aug
18
Friday
Free Show!

Aunt Sis

w/ Wizardskin, Heatwarmer

Doors 8:30, Show 9:30 - $Free

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Aug
19
Saturday

Lucy Dacus

w/ Molly Burch

Doors 8:30 Show 9:30 - $10adv / $12

Tickets, please
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Aug
22
Tuesday
MANAS August Residency at The Mothlight!

MANAS

w/ The Dead Tongues, Jeremy Joachim, Simple Machines (House & Land)

9pm - $5 Suggested

durand
Aug
23
Wednesday

Durand Jones & The Indications

w/ Sister Ivy

Doors 8:30 Show 9:30 - $10adv / $12

Tickets, please
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Aug
24
Thursday

The Deep End Impov Comedy Presents: Tidal Eclipse 2017



Doors 7pm, Show 8pm - $7

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Aug
25
Friday

Plankeye Peggy

w/ Fable Cry

Doors 8:30 Show 9:30 - $5

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Aug
28
Monday
Free Monday!

The Spiral

w/ Social Circle, Armadilla

9pm - $Free

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Aug
29
Tuesday

Celia Verbeck

w/ The We4pon, Morel Atmosphere

Doors 8:30 Show 9:30 - $5 Suggested Donation

smith-street
Aug
31
Thursday

The Smith Street Band



Doors 8pm, Show 9pm - $12adv / $15

Tickets, please
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Sep
01
Friday
"The Volt Per Octaves Farewell Show"

The Volt Per Octaves

w/ Luxury Club, Cyboman, Orgatroid (Jason Daniello)

Doors 8:00, Show 9:00 - $5

inter-arma
Sep
03
Sunday

Inter Arma

w/ Brain Tentacles, Uninhabitable

Doors 8:30, Show 9:30 - $10adv / $12

Tickets, please
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Sep
06
Wednesday

Beach Slang

w/ *repeat repeat

Doors 8pm, Show 9pm - $15

Tickets, please
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Sep
07
Thursday

The Moth: True Stories Told Live (Theme: Schooled)



7pm

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Sep
08
Friday

Floating Action

w/ Spaceface

Doors 8:30, Show 9:30 - $10adv / $12

Tickets, please
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Sep
09
Saturday

Protomartyr

w/ Melkbelly

Doors 8:30, Show 9:30 - $12adv / $14

Tickets, please
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Sep
10
Sunday
The Mothlight & Minmax Present...

Kevin Morby

w/ Shannon Lay

Doors 8pm, Show 9pm - $15

Tickets, please
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Sep
13
Wednesday

Power Trip

w/ Weak Wrists, Abjex

Doors 8:30, Show 9:30 - $12adv / $14

Tickets, please
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15
Friday

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w/ Desperate Pilot

Doors 8:30, Show 9:30 - $5

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Sep
16
Saturday

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w/ Wyatt Yurth & The Gold Standard

Doors 8:30 Show 9:30 - $10

Tickets, please
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Sep
17
Sunday

Dust Moth

w/ Mustard Gas and Roses

Doors 8:30, Show 9:30 - $10adv/ $12

Tickets, please
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Sep
26
Tuesday

The Messthetics

w/ Tashi Dorji

Doors 8pm, Show 9pm - $8adv / $10

Tickets, please
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Sep
29
Friday

Zola Jesus

w/ John Wiese

Doors 8:30, Show 9:30 - $15

Tickets, please
toybox
Oct
01
Sunday

Toybox Theatre

w/ Tinderbox Circus Sideshow

8pm - $15

Tickets, please
jerome fino_ALLIANCE
Oct
02
Monday
Free Mothlight Monday!

Mdou Moctar (Tuareg music from Niger!)



9pm - $Free

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Oct
04
Wednesday

David Liebe Hart (Adult Swim/Tim and Eric/Dr. Steve Brule)

w/ The Wham, Bam! Puppet Slam

Doors 8pm, Show 9pm - $12adv / $15

Tickets, please
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Oct
05
Thursday

The Dig

w/ KOLARS

Doors 8:00, Show 9:00 - $10adv / $12

Tickets, please
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Oct
06
Friday

No BS! Brass Band



Doors 8pm, Show 9pm - $13adv / $15

Tickets, please
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Oct
07
Saturday

Moon Duo

w/ Birds of Avalon

Doors 8:30, Show 9:30 - $13adv / $15

Tickets, please
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Oct
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Sunday

Widowspeak

w/ Clearance

Doors 8pm, Show 9pm - $12adv / $14

Tickets, please
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Oct
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Friday
The Mothlight & Worthwhile Sounds Present...

Bill Callahan **At The Masonic Temple**

w/ Nathan Bowles

Doors 7pm, Show 8pm - $20adv / $25

Selling Fast, Hurry!
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Oct
13
Friday

Charlie Parr



Doors 8pm, Show 9pm - $10adv / $12

Tickets, please
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Oct
14
Saturday

Moses Sumney

w/ TBA

Doors 8pm, Show 9pm - $15adv/ $18

Tickets, please
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Oct
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Wednesday

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w/ Tony Molina, Kreamy 'Lectric Santa

Doors 8:30, Show 9:30 - $10adv / $12

Tickets, please
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Thursday

The Moth: True Stories Told Live (Theme: Creepy)



7pm

Tickets, please
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20
Friday

San Fermin

w/ Gracie and Rachel

Doors 8pm, Show 9pm - $12adv / $14

Tickets, please
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Oct
21
Saturday

Mild High Club

w/ Anemone, Andy Loeb's Space Heater

Doors 8:30 Show 9:30 - $12adv / $14

Tickets, please
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Oct
22
Sunday

An Evening with Deloused: The Music of the Mars Volta



Doors 8pm, Show 9pm - $10

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Thursday

Son Little

w/ ALA.NI

Doors 8pm, Show 9pm - $13adv / $15

Tickets, please
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Oct
27
Friday

Avey Tare **At The Masonic Temple**



Doors 7pm, Show 8pm - $18adv / $20

Tickets, please
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Nov
16
Thursday

The Moth: True Stories Told Live. (Theme: Control)



7pm - $10

Tickets, please
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Dec
21
Thursday

The Moth: True Stories Told Live. (Theme: Dirt)



7pm - $10

Tickets, please