2017
The Mothlight & Worthwhile Sounds Present **AT THE ASHEVILLE MASONIC TEMPLE**
Waxahatchee & Kevin Morby (Rare Solo Performances!) w/ Mary Lattimore
March
17
Friday
Doors 7pm, Show 8pm - $18adv / $20
Selling Fast, Hurry!
Waxahatchee & Kevin Morby (Rare Solo Performances!) **AT THE ASHEVILLE MASONIC TEMPLE**
Both Waxahatchee and Kevin Morby will be playing rare solo performances inside the beautiful Asheville Masonic Temple. Harpist Mary Lattimore opens. The Asheville Masonic Temple is located in Downtown Asheville at:
80 Broadway St, Asheville, NC 28801
Waxahatchee
Katie Crutchfield’s southern roots are undeniable. The name of her solo musical project Waxahatchee comes from a creek not far from her childhood home in Alabama and seems to represent both where she came from and where she’s going. Since leaving home, Crutchfield has drifted between New York and Philadelphia but chose to return to Alabama to write her first two albums: American Weekend, her debut filled with powerful lo-fi acoustic tracks full of lament, and Cerulean Salt, a more developed and solid narrative about growing up. Both are representations of a youthful struggle with unresolved issues and unrequited feelings.

Waxhatchee’s latest record, Ivy Tripp, drifts confidently from these previous albums and brings forth a more informed and powerful recognition of where Crutchfield has currently found herself. The lament and grieving for her youth seem to have been replaced with control and sheer self-honesty. “My life has changed a lot in the last two years, and it’s been hard for me to process my feelings other than by writing songs,” says Crutchfield. “I think a running theme [of Ivy Tripp] is steadying yourself on shaky ground and reminding yourself that you have control in situations that seem overwhelming, or just being cognizant in moments of deep confusion or sadness, and learning to really feel emotions and to grow from that.”

Recorded and engineered by Kyle Gilbride of Wherever Audio at Crutchfield’s home on New York’s Long Island—with drums recorded in the gym of a local elementary school—Ivy Tripp presents a more developed and aged version of Waxahatchee. “The title Ivy Tripp is really just a term I made up for directionless-ness, specifically of the 20-something, 30-something, 40-something of today, lacking regard for the complaisant life path of our parents and grandparents. I have thought of it like this: Cerulean Salt is a solid and Ivy Tripp is a gas.”

Crutchfield is accompanied by both Gilbride and Keith Spencer on Ivy Tripp, and the record was produced by all three of them. With the addition of more guitar work, piano, drum machines, and Crutchfield’s vocals in full bloom, we are given a record that feels more emphatic and pronounced. Ivy Tripp opens with “Breathless,” filled with only a distorted keyboard and layers of vocals, showcasing Waxahatchee’s pension for quiet, personal reflection. The record then opens up into “Under a Rock,” a quicker guitar-driven song that lays the foundation for the rest of the album, which as a whole resonates with strong, self-aware lyrics, energetic ballads, and powerfully hushed moments of solitude. Crutchfield’s voice is certainly the guiding force behind Ivy Tripp—commanding and voluminous in the rock song “Poison,” candied and pure in the frolicking “La Loose”—gripping you tightly and then softly releasing you into the wilds of emotion.

As far as her goals with Ivy Tripp, Crutchfield says, “I heard someone say that you have to be the change you want to see. I just want to be the kind of musician I want to see in the world. I want to present myself in a way that reflects that.”
Kevin Morby
Singing Saw is a record written simply and realized orchestrally. In it, Kevin Morby faces the reality that true beauty - deep and earned - demands a whole-world balance that includes our darker sides. It is a record of duality, one that marks another stage of growth for this young, gifted songwriter with a kind face and a complicated mind.

In the Autumn of 2014, Kevin Morby moved to the small Los Angeles neighborhood of Mount Washington. The move would shape Singing Saw, Morby's first album for new label Dead Oceans. Previous tenants at Morby's new home happened to leave an upright piano behind, with a few mysterious pieces of sheet music and an introductory book of common chords stacked on top. Thankful to finally be in one place for an extended spell, Morby, a beginner at the piano, immediately sat at the new instrument and began composing the songs that would form Singing Saw.

Alongside, he began taking long walks through the winding hills and side streets of the neighborhood each night, glimpsing views of both the skyline's sweeping lights and the dark, dried out underbrush of the LA flora. The duality of the city itself began to shape a set of lyrical ideas that he would refine with the sparse accompaniment of piano and acoustic guitar.

What is a singing saw It is an instrument that creates ethereal sounds, but it is also a tool: basic and practical while also being fearsome, even destructive. Morby watches the singing saw in its eponymous song; that instrument of eerie soft beauty cuts down the flowers in its path and chases after him, while his surroundings mock and dwarf him, Alice in Wonderland style. And in a singing saw, we can understand music as something more powerful than its inviting, delicate sound. No wonder Morby talks about a "songbook" in his head as something he needs to take up the hills so he can "get rid of it." Heavy themes are nothing new for Morby, whose previous records (2013's Harlem River and 2014's Still Life, both released on the Woodsist label) dealt with their own eerie visions and damning prophecies.

Morby opens Singing Saw with "Cut Me Down", a song of tears, debts and a prescient vision of being reduced to nothing. "I Have Been to the Mountain", "Destroyer" and "Black Flowers" continue to explore beauty and freedom, seizing upon the rot that seeps into even the supposedly safest of realms; peace, family and romantic love. By the end of the record on "Water", Morby is literally begging to be put out once and for all, like a fire that might burn all the visions away.

Travels beyond his mountain walks inform songs like "Dorothy", which recounts a trip to Portugal, witnessing a fishing ritual and luxuriating in the aura of a bar light-tinged reunion with old friends The touching innocence of "Ferris Wheel" stands alone in stark simplicity amidst the lush sonic textures of the album. Here, the album is balanced by Morby's signature sweetness and joie de vivre.

The arrangements of Singing Saw trace back to Morby's experience playing in The Complete Last Waltz, a live recreation of The Band's legendary last performance. There, Morby developed a fast friendship with producer/bandleader Sam Cohen (Apollo Sunshine, Yellow Birds), which led Morby to forgo recording in Los Angeles and take the nascent songs of Singing Saw to Isokon Studios in Woodstock, New York. There, in a converted A-frame house, they set about creating a record that would bring a sonic balance, intricacy and depth to match these songs and all that inspired them.

Sam Cohen added a multitude of instrumentation to the record (guitar, bass, drums and keyboard), and were joined by fellow Complete Last Waltz alum Marco Benevento on piano and keyboard, fleshing out Morby's original compositions and upholding the vision for a cohesive piano sound that serves as a touchstone for the entire album. Backup vocalists Hannah Cohen, Lauren Balthrop and Alecia Chakor contribute soaring harmonies; Nick Kinsey (Elvis Perkins) adds drums and percussion; Justin Sullivan, a longtime Morby collaborator and staple of his live band, contributes drums; Oliver Hill and Eliza Bag lift numerous songs with string accompaniments, and Alec Spiegelman on saxophone and flute and Cole Kamen-Green on trumpet bring dramatic swells. Finally, John Andrews (Quilt) adds the eerie lilt of the album's promise, providing saw on the "Cut Me Down" and "Singing Saw".

In the end, Morby fulfills the promise many heard on his first two albums, bringing his most realized effort of songwriting and lyricism to fruition. The songs of Singing Saw reflect the clarity that comes from welcoming change and embracing duality, and the distillation of those elements into an entirely new vision.
Mary Lattimore
Mary Lattimore is a harpist living in Philadelphia. She experiments with her Lyon and Healy Concert Grand harp and effects.

Her solo debut, The Withdrawing Room, was released in 2013 on Desire Path Recordings. http://experimedia.tumblr.com/post/46532399322/marylattimorestreamreview

Mary also writes harp parts for songs and recordings. She has performed and recorded with such great artists as Meg Baird, Thurston Moore, Sharon Van Etten, Jarvis Cocker, Kurt Vile, Steve Gunn, Ed Askew and Fursaxa.

Mary has been a part of soundtrack projects including the Valerie Project, Lopapeysa, a film by David Kessler set in Iceland, and the film score for Marina Abramovic: the Artist is Present, a documentary about the artist.

In March 2013, she accompanied Nick Cave’s beautiful horse soundsuits for the 100th anniversary of Grand Central Station in New York City.

Mary is a 2014 recipient of a Pew Fellowship in the Arts.
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Sunday

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w/ White Woolly, Breathers

Doors 8pm, Show 9pm - $10adv / $12

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rempis
Apr
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Monday
Free Monday!

Dave Rempis

w/ Tashi Dorji

9pm - $Free

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w/ Brother Oliver, Robert Travis (Of Muscle and Bone)

Doors 8pm, Show 9pm - $5

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w/ Pallor, VIA

Doors 8:00, Show 9:00 - $5

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Apr
27
Thursday

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w/ Shana Falana

Doors 8:30, Show 9:30 - $8adv /$10

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Friday

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w/ Stray Owls, Utah Green

Doors 8:30, Show 9:30 - $8adv / $10

Tickets, please
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Apr
29
Saturday
Free Album Release Show!

The Tills (Album Release)

w/ Pie Face Girls, No One Mind

Doors 8:30 Show 9:30 - $Free

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30
Sunday

Mind Over Mirrors

w/ Brokeback, Smelt Roe

Doors 8:00, Show 9:00 - $8adv / $10

Tickets, please
Ralph White
May
01
Monday
Free Monday!

Ralph White

w/ The Dead Tongues, Wes Tirey

9pm - $Free

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May
03
Wednesday

Sean Rowe

w/ Faye Webster

Doors 8pm, Show 9pm - $10adv / $12

Tickets, please
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May
04
Thursday
The Deep End Presents:

May the 4th Be With You: A night of intergalactic improv comedy.



8pm - $7

lingua franca
May
06
Saturday

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w/ Spaceman Jones, Lucianna Ania

Doors 8:30, Show 9:30 - $8

Tickets, please
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May
07
Sunday

Weedeater

w/ Horseflesh, Uktena

Doors 8:00, Show 9:00 - $15adv / $18

Tickets, please
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11
Thursday

Skunk Ruckus (Album Release!)

w/ The Dirty Badgers, Tinderbox Circus Sideshow

Doors 8:00, Show 9:00 - $5

onj
May
12
Friday

onj. (Album Release Show!)

w/ Ellipser, Mere Fever

Doors 8:30, Show 9:30 - $5

sir-richard-bishop
May
13
Saturday

Sir Richard Bishop

w/ Robert Millis

Doors 8pm, Show 9pm - $10

Tickets, please
frankiecospc_matthewjameswilson
May
14
Sunday

Frankie Cosmos

w/ Uni Ika Ai

Doors 8:00, Show 9:00 - $15

Tickets, please
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May
15
Monday
Free Monday!

Trophy Dad

w/ Minorcan, Fashion Bath

9pm - $Free

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May
17
Wednesday

Doug Tuttle (formerly MMOSS)

w/ Nightlands

Doors 8pm, Show 9pm - $7

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May
18
Thursday

The Moth: True Stories Told Live (Theme: Karma)



7pm - $10

Tickets, please
xasthur
May
19
Friday

Xasthur (acoustic)

w/ Johanna Warren

Doors 8:30 Show 9:30 - $10adv / $12

Tickets, please
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May
20
Saturday

BASK (Ramble Beyond Record Release)

w/ Nest Egg, HAAL

Doors 8:30, Show 9:30 - $10

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May
21
Sunday
David Joe Miller Presents:

WORD!



Doors: 7pm, Show 7:30pm - $12

Tickets, please
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May
23
Tuesday

Tobin Sprout (ex-Guided By Voices)

w/ Elf Power

Doors 8pm, Show 9pm - $12adv / $14

Tickets, please
gringo star
May
24
Wednesday

Gringo Star

w/ Shantih Shantih, Shaken Nature

Doors 8pm, Show 9pm - $8adv / $10

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May
27
Saturday

Faun and a Pan Flute

w/ Giant Giants, Cyboman

Doors 8:30, Show 9:30 - $8

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May
28
Sunday

Vancouver Sleep Clinic



Doors 8pm, Show 9pm - $12adv/ 14

Tickets, please
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May
29
Monday
Free Monday!

Kikagaku Moyo

w/ Al Lover, Acid Reign

9pm - $Free

tim-kasher
May
30
Tuesday

Tim Kasher

w/ John Bradley, Campdogzz

Doors 8pm, Show 9pm - $12adv / $14

Tickets, please
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Jun
02
Friday

Leif Vollebekk



Doors 8:30, Show 9:30 - $12adv /$14

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mothers
Jun
03
Saturday

Mothers

w/ TBA

Doors 8:30, Show 9:30 - $10

Tickets, please
paladin
Jun
05
Monday
Free Monday!

Paladin

w/ Aether Realm, GnarlScar

9pm - $Free

richardlloyd
Jun
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Tuesday

Richard Lloyd (of Television!)



Doors 8pm, Show 9pm - $8adv / $10

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09
Friday

House and Land (Record Release Show!)

w/ Nathan Bowles, Emmalee Hunnicut

Doors 8:00, Show 9:00 - $8

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Jun
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Sunday

Great Good Fine OK



Doors 8pm, Show 9pm - $12adv / $14

Tickets, please
peterbroetzman2
Jun
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Monday
The Mothlight & Harvest Records Present...

Peter Brötzmann & Heather Leigh Duo



Doors 8pm, Show 9pm - $15

Tickets, please
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Jun
13
Tuesday

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w/ Body of Light

Doors 8:30, Show 9:30 - $12adv /$14

Tickets, please
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Jun
15
Thursday

The Moth: True Stories Told Live (Theme: Cheating)



7pm - $10

Tickets, please
David-J-hero
Jun
16
Friday

David J



Doors 8:00, Show 9:00 - $15

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Jun
21
Wednesday

Daniel Romano

w/ TBA

Doors 8:00, Show 9:00 - $10adv/ $12

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Jun
23
Friday

Knives and Daggers (Album Release Show!)

w/ Cobra Horse

Doors 8:30, Show 9:30 - $5

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Jun
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Saturday
Highcountry Music and Arts Presents...

Shane Mauss: "A Good Trip" Comedy + Science + Psychedelics



Doors 8pm, Show 9pm - $15

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chastitybelt2
Jun
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Sunday

Chastity Belt

w/ TBA

Doors 8:30, Show 9:30 - $10adv / $12

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Jun
25
Sunday
Highcountry Music and Arts Presents...

Here We Are w/ Shane Mauss (A Live Podcast Recording)



Doors 1pm, Show 2pm - $10

Tickets, please
jenny besetzt
Jun
26
Monday
Free Monday!

Jenny Besetzt

w/ KONVOI, Acid Reign

9pm - $Free

cindy-wilson
Jun
27
Tuesday

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Doors 8pm, Show 9pm - $15adv / $20 (VIP Meet-n-Greet $35)

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The Grey Eagle and The Mothlight Present...

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Doors 8pm - $13adv / $16

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Doors 8:30, Show 9:30 - $11adv / $13

Tickets, please
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Monday
Free Monday!

Jonah Parzen-Johnson



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