2017
Laetitia Sadier Source Ensemble w/ Art Feynman
August
09
Wednesday
Doors 8pm, Show 9pm - $12adv / $14
Tickets, please
Laetitia Sadier Source Ensemble
Another New Year, and new shapes are forming — if only we are fortunate enough to notice them! As we spin through this world, we are witness to all manner of combinations unfolding before us — familiar arcs and breaking waves alike, upon all of which it is our choice, our chance and our challenge, to possibly ride. Find Me Finding You, the new album from the new organization called the Laetitia Sadier Source Ensemble, manages to strike new chords while touching familiar keys in the song of life.

From its percolating opening beat, Find Me Finding Youlocates new systems within the sound-universe of Laetitia Sadier. This in itself isn’t a surprise — Laetitia has relentlessly followed her music through different dynamics and into a variety of dimensions over the course of four solo albums since 2010 (not to forget her three albums with Monade and the long era of Stereolab) — but the nature of the construction here stands distinctly apart from her recent albums. Laetitia was inspired by a mind’s-eye envisaging of geometric forms and their possible permutations. As she sought to replicate the shapes in music, this guided the process of assembly for the album.

Part of the freshness of Find Me Finding You comes from working and playing within the Source Ensemble and exploring new sound combinations via a set of youthful and evolving musical relationships. Laetitia recognized the energy of the tracks in their initial form, and sought to preserve their vitality by not retaking too many performances — instead, the rawness in the tracks was retained and refined at the mixing stage, maintaining an edge throughout. When we hear synth lines diving, lifting and drifting, unusual guitar textures, the plucked sound of flat wound bass strings or the bottomless pulsing of bass pedals stepping out of the mix with an exquisite vibrancy, this is the sound of the Source Ensemble.

A key to Laetitia’s music is her use of vocal arrangements. Throughout Finding Me Finding You, the shifting accompaniment creates space to bring this element gloriously forward. Arranged by Laetitia with Joe Watson and Jeff Parker making string charts that were subsequently transposed to vocal parts for several songs, richly arranged choirs of voices provide depth along with the thrilling presence of extra breath in the sound. Laetitia’s community-politic is well-served by the groups of voices lending support to the machining of the song craft, providing additional uplift to her quintessentially for-ward-facing viewpoint — as well as massed voices from three different countries sharing space in harmony!

Working in collaboration is Laetita’s traditions, and a key to this album’s view on being free together (it is necessary, prefer-able and right!). The designation of Source Collective implies a new togetherness phase; alongside long-time collaborators Emmanuel Mario and Xavi Munoz, keyboard and flutes parts played by David Thayer (Little Tornados) were essential contributions, as well as further keys, synths and electronics from Phil M FU and several intense guitar sequences from Mason le Long. Chris A Cummings (aka Marker Starling, Laetitia’s favorite composer) graciously wrote “Deep Background” for her. The duet with Hot Chip’s Alexis Taylor on “Love Captive” (not to mention Rob Mazurek’s distinctive coronet playing!) gives voice to an ideological cornerstone of Find Me Finding You — that, should we be responsible enough to endeavor into a world of basic incomes and open relationships, we would make astonishing strides as a society. These sorts of things can only be done in agreement with others.

Expressing great compassion and expectation with startling immediacy, as well as an abiding belief in an underlying unity that permeates and intimately binds all things and beings, Find Me Finding You combines a rigorous process for music-making with a deeply invested mindset, making captivating music that promises many stimulating spins to come!
Art Feynman
California-based Art Feynman recently announced his debut album Blast Off Through the Wicker and we're delighted to premiere the single "Feeling Good About Feeling Good." The almost-eight-minute delight defies genre—there are tinges of many, from krautrock to funk, psychedelic rock and afrobeat, but to try to pin it down does the tune (and Feynman himself) an injustice. Suffice to say, "Feeling Good About Feeling Good" is wildly spirited and warrants repeat listens—thanks in part to excellent production. Perhaps most impressive is the lack of drum machines; the percussion was all recorded live, offering a sublime warmth and richness.

Feynman tells us, about writing the track, "It's mostly about the groove, and I was feeling good when I recorded it thinking about how good it is to feel good, and how I don't want to feel bad again, and that feeling good about feeling good will make feeling bad much worse, and then feeling bad about feeling bad will make it less likely to feel good again." This personal, self-reflective nature permeates, and he says of creating the album (which was recorded in California and New York) and making music in general, "I like getting lost in interlocking repetition and playing with rhythmic feel in certain ways. I make it to satisfy my ear and hopefully people will like it and, if not, then that's OK too."
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Tickets, please
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