2017
The Mothlight & Minmax Present...
Kevin Morby w/ Shannon Lay
September
10
Sunday
Doors 8pm, Show 9pm - $15
Tickets, please
Kevin Morby
City Music is an airplane descending over frozen lakes into Chicago. City Music is riding the Q Train out to Coney Island to smell the ocean and a morning in Philadelphia where greats cranes reconfigure the buildings like an endless puzzle. City Music is a quiet afternoon moment on a bench in Baltimore, a highway in Seattle at night where the distant houses look like tiny flames and a bottle of red wine being drained on a bridge in Paris. City Music is a bus pulling into St. Louis at dawn where the arch looks like a metal rainbow reflecting the days early sunlight.

City Music is also the new album by Kevin Morby. Full of listless wanderlust, it's a collection inspired by and devoted to the metropolitan experience across America and beyond by a songwriter cast from his own mould. As he puts it: "It is a mix-tape, a fever dream, a love letter dedicated to those cities that I cannot get rid of, to those cities that are all inside of me."

His fourth album, City Music works as a counterpart to Morby's acclaimed 2016 release Singing Saw, an autobiographical set that reflected the solitude and landscape in which it was recorded. It was imagined as "an old bookshelf with a young Bob and Joni staring back at me, blank and timeless. They live here, in this left side of my brain, smoking cigarettes and playing acoustic guitars while lying on an unmade bed."

And now follows City Music, the yang to its yin, the heads to its tails. It is an collection crafted using the other side of its creator's brain, the jumping off point perhaps best once again encapsulated by an image. "Here, Lou Reed and Patti Smith stare out at the listener," explains Morby. "Stretched out on a living room floor they are somewhere in mid-70s Manhattan, also smoking cigarettes." It finds Morby exploring similar themes of solitude, but this time framed by a window of an uptown apartment that looks down upon an international urban landscape "exposed like a giant bleeding wound."

Morby rose to prominence as bassist in Woods, with who he recorded seven albums on Woodsist Records (Kurt Vile, The Oh Sees, Real Estate) while also forming The Babies with Cassie Ramone of Vivian Girls. Two albums and a clutch of classic singles with the latter followed. Morby's 2013 debut solo work Harlem River was a homage to New York and featured contributions from artists including Cate Le Bon and Tim Presley (of White Fence), while 2014's Still Life garnered universal critical praise. "It's easy to picture Morby with a wineskin under his arm," noted a Pitchfork review. "His every worldly possession hitched to his back, an eye constantly fixed on some faraway point on the horizon."

Recording at Panoramic Studios, a central Californian home-turned-recording studio, City Music saw Morby joined once again by former The Babies cohorts Megan Duffy (guitar) and Justin Sullivan (drums). Here the vocals were at recorded night, in darkness, overlooking a Pacific Ocean illuminated only by the stars, the wash and whisper of the ebbing tidal a distant soundtrack. Six weeks of European touring had left the trio speaking a secret language that only a band can speak. "The language of a musical family," explains Morby. "There was an outdoor shower with no curtain and deer ran through the front yard during the meals we cooked for each other..." The record was completed with Richard Swift in Oregon (producer of Foxygen, sometime member of The Black Keys).

From the widescreen opening of 'Come To Me Now' through the bubblegum stomp of the Ramones-eulogising '1-2-3-4' (which also references late poet Jim Carroll's litany of friends lost, 'People Who Died'), a stripped-back and wistful cover of 'Caught In My Eye' by nihilistic LA punk wrecking crew Germs and on to Leonard Cohen-evoking closer 'Downtown's Lights', City Music reads like a selection of musical postcards composed and posted in the moment. It is a forensic and poetic examination of a modern America in love with the myth of itself.

At the big beating heart of these songs is the voice and conscience of the city. All cities. We see them viewed from differing angles; from down in the gutter, and drifting up into the celestial firmament. "I am walking through a Chinatown in a major American city and now I am a guitar part taking place in my head," offers Morby by a way of a commentary for the album's inception. "It falls around me like rain, dancing with the neon lights coming off of the signs of the restaurants and bars. Now I am a lamp full of hot air floating away, looking down. The city is beautiful like one million candles with different sized flames, moving in their own directions. A line finds me and grabbing it I hold on tight. I sing to myself, 'Oh, that City Music, oh that city sound...'"

Here the album gives voice to the all those cities speaking the same universal language of chaos and commerce and culture. It views the city as an Oz-like experience, with your host cast as Dorothy, the Scarecrow, the Tin Man and the Cowardly Lion, a narrator by turns innocent, awestruck, fearful and fearless. Where a world once black and white is now rainbow coloured. "I am a city and I have many moods," it says via its human conduit. "I am dangerous and I am gorgeous. Like a proud forest made of metal and brick I am constantly changing shape, growing bigger and smaller all at the same time. I hold you but you do not hold me...."

City Music. Let it hold you.

--Ben Myers.
March 2017.
Shannon Lay
Shannon Lay (from Los Angeles, California) plays and sings haunting post-pop ghost-folk.

Check out Shannon Lay's 2017 debut album, All This Life Goin Down (on Do Not Disturb Records).
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Doors 8:30, Show 9:30 - $5

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Doors 8:30, Show 9:30 - $5

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Sunday

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10pm - $10adv / $15

Tickets, please
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04
Thursday

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w/ Carolina Wray, Slugly

Doors 8:00, Show 9:00 - $5

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05
Friday
A Benefit for the Blue Ridge General Defense Comittee

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w/ P.T.P., Sk, The Novelist, Free the Optimus

Doors 8:30 Show 9:30 - $5

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06
Saturday
Blue Mountain Mischief Productions Presents:

Telic

w/ Chaos Among Cattle, Fractured Frames

Doors 8:30 Show 9:30 - $5

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Tuesday

Coma Cinema

w/ Pictures of Vernon, Mineral Girls, Cheem

Doors 8:00, Show 9:00 - $5

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Jan
12
Friday
Stella Blue Presents:

Charlie's on Acid

w/ Gutterhound, Strange Avenues

Doors 8:00, Show 9:00 - $10

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Jan
13
Saturday

Disco Sweat XXXVI



10pm - $5

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Jan
16
Tuesday

David Dondero



Doors 8pm, Show 9pm - $8adv / $10

Tickets, please
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Jan
24
Wednesday

The Nude Party

w/ Kitty Tsunami, Jon Dwyer

Doors 8pm, Show 9pm - $10adv / $12

Tickets, please
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Jan
29
Monday
Free Monday!

Tombstone Highway

w/ Dropshot, Spearfinger, Styrofoam Turtles

Doors 8:00, Show 9:00 - $Free

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Feb
01
Thursday

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Doors 8:30, Show 9:30 - $15

Tickets, please
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Feb
08
Thursday

H.C. McEntire

w/ House & Land, Ryan O'Keefe

Doors 8pm, Show 9pm - $10adv / $12

Tickets, please
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Feb
09
Friday

Bombadil

w/ The Moon and You

Doors 8:00, Show 9:00 - $10adv / $12

Tickets, please
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Feb
16
Friday
Worthwhile Sounds Presents...

Phoebe Bridgers

w/ Soccer Mommy

Doors 8:30, Music 9:30 - $10adv / $12

Tickets, please
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Feb
22
Thursday

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w/ Ouroboros Boys, North By North, Luxury Club

Doors 8:00, Show 9:00 - $5

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Feb
25
Sunday

Diet Cig

w/ Great Grandpa, The Spook School

Doors 8pm, Show 8:30 - $13adv / $15

Tickets, please
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Feb
28
Wednesday

Conan

w/ The Ditch and The Delta

Doors 8:30, Show 9:30 - $12adv / $14

Tickets, please
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Mar
02
Friday

Arlie



Doors 8:30, Show 9:30 - $10

Tickets, please
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Mar
06
Tuesday

KOLARS

w/ Escondido

Doors 8:30 Show 9:30 - $12adv/ 15

Tickets, please
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Mar
07
Wednesday

Shopping

w/ French Vanilla

Doors 8:30, Music 9:30 - $10adv / $12

Tickets, please
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Mar
09
Friday
Orbit DVD Presents...

Everything Is Terrible!



Doors 8pm, Show 9pm - $10

Tickets, please
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Mar
19
Monday
Free Mothlight Monday!

Snail Mail

w/ Shame

Doors 8pm, Show 9pm - $Free

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Mar
22
Thursday

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Doors 8:30, Music 9:30 - $13adv / $15

Tickets, please
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Mar
29
Thursday

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Doors 8pm, Show 9pm - $10adv / $12

Tickets, please
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Apr
15
Sunday

Screaming Females

w/ Thou, HIRS

Doors 8pm, Show 9pm - $15

Tickets, please
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Apr
24
Tuesday

Durand Jones & The Indications



Doors 8:30, Show 9:30 - $12adv / $14

Tickets, please
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Apr
25
Wednesday

Acid Mothers Temple & The Melting Paraiso UFO



Doors 8:30, Show 9:30 - $12adv / $14

Tickets, please
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28
Saturday

The Soft Moon

w/ Boy Harsher

Doors 8:30, Show 9:30 - $13adv / $15

Tickets, please