2017
Frankie Cosmos w/ Uni Ika Ai
May
14
Sunday
Doors 8:00, Show 9:00 - $15
Selling Fast, Hurry!
Frankie Cosmos
Greta Kline’s musical output as Frankie Cosmos exemplifies the generation of musicians born out of online self-releasing. Kline initially built a reputation with her prolific catalog of bedroom recordings and as a performer and advocate of New York’s All Ages DIY scene. The beauty in Kline’s writing does not lie within immense statements and large gestures, but instead can be found in her ability to examine situations and relationships with heartbreaking sincerity. In 2014 Kline released her first studio album, Zentropy. Within months of its release, Zentropy became one of the most critically acclaimed independent albums of the year and was named New York Magazine’s #1 Pop album of 2014.

In 2015 Kline signed to Bayonet Records, immediately releasing an EP where she experimented with writing in an electronic setting. The EP Fit Me In was well received and garnered a Best New Track from Pitchfork. Kline then began recording her next album appropriately titled, Next Thing. Like Zentropy, Kline approached Next Thing by fleshing out several old home recordings, and by writing half of the album from scratch. Next Thing explores new emotional and instrumental territory for Kline, and is slated for release April 1st on Bayonet Records.
Uni Ika Ai
Uni Ika Ai [pronounced: oo­-nee ee­kuh eye] is a Brooklyn based dream­pop / art­pop band comprised of music veterans Maia Friedman (Bobby), Peter Lalish (Lucius, Elizabeth & The Catapult), Tom Deis (Via Audio), and Dan Drohan (Maggie Rogers, Wilsen). The band's recently released debut album, Keeping A Golden Bullseye In The Corner of My Mind, incorporates elements of experimentalism, psychedelic haze, and eclectically unique pop -- a "rhythmic, wonderfully askew brand of ethereal pop" (Stereogum) that The Wild Honey Pie says is a "new kind of off-kilter dream pop that the genre has been waiting for."

Uni Ika Ai was born out of a desire for improvisation and experimentation. While on tour with Lucius in 2014, Lalish would record improvised snippets made during sound checks and email them to Friedman, who would send improvised snippets recorded at home in Brooklyn, in return. The two musicians, once in the same room, would mold the abstract material into fully formed songs. For Bullseye, the band enlisted D. James Goodwin as both producer and saxophonist, having him add occasional exuberant accents of jazz-inspired improvisation to the album's atmospheric doses of peace and chaos. "Just like dreams, [Uni Ika Ai's] songs pulse on airwaves that are both viscerally familiar and also slightly out of touch with the world we've come to live in" (ThrdCoast).
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