2017
Colleen w/ Shane Parish
November
14
Tuesday
Doors 8:30, Show 9:30 - $12adv / $14
Tickets, please
Colleen
Colleen is the alias of French musician Cécile Schott, who over the course of five albums has consistently reinvented herself by taking acoustic instruments out of their usual context and pushing the boundaries of their playability, with compositions ranging from the mysterious and contemplative to kinetic and playful. Colleen has played live all over Europe, the US, Japan, Brazil and Singapore, giving more than 200 concerts in prestigious venues and festivals such as Moogfest, Big Ears, Mutek, Transmediale, Villette Sonique, Rewire and many more.

From 2003 to 2007, she released three albums on The Leaf Label. While Everyone Alive Wants Answers (2003) was made up entirely of acoustic samples taken from her eclectic record collection, The Golden Morning Breaks (2005) saw her exploring a wide range of acoustic instruments which she all played herself.

In 2006 French radio station France Culture’s commission for a “radiophonic workshop” became the Colleen et les Boîtes à Musique EP, focusing on the sound world of music boxes. 2007’s Les Ondes Silencieuses fulfilled her dream of making a modern album using almost exclusively baroque instruments (viola da gamba, spinet, clarinet, classical guitar and crystal glasses).

After a break from recording and touring, Colleen returned with The Weighing of the Heart in May 2013 on Second Language, with a significant shift in approach, focusing on the voice and on a more colorful and rhythmic approach, still using a wide variety of instruments and introducing a modified treble viola da gamba.

Her fifth album Captain of None, released on Thrill Jockey in 2015, is the most melodic in her repertoire, with fast-paced tracks rooted by prominent bass lines and her instruments of choice, the treble viola da gamba and her voice. It features delicately crafted, other-worldly pop songs incorporating dub-inspired techniques.

She will release her 6th album this fall on Thrill Jockey, this time focusing on electronics and voice.


Press quotes:
-NPR Music’s 50 Favorite Albums of the Year

-NPR Music’s Top 10 Electronic Albums of the Year

-Jon Caramanica (New York Times) Top 10 Albums of the Year

“Exquisite, precise music made of unlikely inputs ... The result is like a heart that pumps blood and also data.” –New York Times

“It is a wondrous concoction, simultaneously ancient and modern, brought together by technology and the ear of a woman who unites epochs.” –NPR

“French pop composer Cecile Schott sounds as if she’s whispering her dubbed-out lullabies from the bottom of the ocean.” –Washington Post

“But more important than what jumps out at you is what doesn’t: silence, delay and the hypnotic effect of repetition are as much instruments as the musical instruments themselves. Those are all qualities we usually associate with techno, and that’s where Schott really shines.” –Resident Advisor

“Captain of None is yet another absolutely stellar Colleen album.” –Brainwashed

“This newly arrived 2015 follow-up is the classic reaffirmer that galvanizes what precedes even as it quietly surpasses” –Tiny Mix Tapes

“If eclectic, Schott’s oeuvre is an inviting one, in particular most recently, and it’s readily clear she’s interested in a dialogue with as many open ears as can be reached. Through Captain of None it’s just as apparent that as Colleen she remains a thousand miles away from pandering for listenership.” –The Vinyl District

“More than any sort of technical achievement or genre alteration, Captain of None powerfully blends the mythic, organic, and
internal.” –Consequence of Sound

“In fact, there are times on Captain of None where the album’s architecture is so compelling it’s easy to miss the resonance of the songs themselves. But pieces like “I’m Kin” and the title track positively vibrate with melodic ideas, their lyrics filled with oblique little koans.” –Pitchfork

“There’s worlds of space in the song, yet it still teems with activity, like a window looking out onto a blizzard.” –Pitchfork

“Schott dares you to pay attention to the slightest movements in her alien world.” –Consequence of Sound

“The result is gorgeous, like a quietly brewing storm of layered pizzicatos, bouncing off the walls and grazing your ears as they glide past you.” –Stereogum
Shane Parish
Here is a boy who, at age 14, picks up a guitar for the first time and decides “this is it!” This is the escape hatch from the tragedy and trauma of an unstable childhood in the sweltering heat, chaos and congestion of sunny Fort Lauderdale, Florida. In music Parish finds stability and eternity and truth, elevated beyond the work-a-day grind and fight for mere survival. There is no music in his childhood home aside from what is being administered on the TV and radio, so music must be sought out and discovered, in the days before everything is instantly discoverable. There is jazz and blues and Cuban and classical music in South Florida. There are innumerable Florida death metal bands and Marilyn Manson is an unsigned local act. Riffs by Iron Maiden and Metallica and Pink Floyd are being passed around by friends, and the friends form bands, and write songs, and try to be original. The ego is broken down and made permeable by the ingestion of psychedelics, and music and life become integrated on a cellular and spiritual level… Naturally, school and work hold very little interest at this point, and the boy Parish drops out and tells everyone he is going to just play guitar.

Here is a young man who, at age 26, has just played his first international jazz festival in Austria with his confrontational, no-holds-barred, avant-garde, instrumental rock band, Ahleuchatistas [AH-LOO-CHA-TEES-TAS]. It’s really just a punk band in this incarnation, almost like Fugazi meets Captain Beefheart. The crowd loves it and the world feels less lonely. Parish is on the cusp of wrapping up a university degree in philosophy, in which he becomes deeply immersed in the anarcho-musico-Buddhist ideas of composer John Cage. He has long dipped his toe in different styles of guitar playing, but has barely scratched the surface, really. Parish’s explorations are now led by an ethos of wide open curiosity and awareness. Jazz is an obsession and John Coltrane is a guiding light in any situation. There is a radio interview with Coltrane in the early 60’s, just before he goes on to record “A Love Supreme”, in which he talks about how he is currently trying to “deepen his roots” because he “skipped over a lot of stuff”. This conversation leaves a lasting impression.

Here is a family man who, at age 38, makes his living playing gigs and teaching lessons. Still very much the experimentalist, touring musician and collaborator, with over 20 albums in his discography, he has spent the past decade cultivating a more embodied approach to playing the guitar: how to pull out the most beautiful sound, or whatever desired effect, by following the breath and touching the string just so. Parish has taught himself classical guitar, as a practice like meditation or Yoga or Tai Chi. As a boy he thought the tape was warped and that was why Andres Segovia’s guitar sounded like flowing water. Now Parish knows that being completely in the moment is the real cause. He turns to the blues and folk music where a universal magic is being shared and passed down generations and permeating every other form of music. Elizabeth Cotten and John Hurt hypnotize and heal with a simple root-five bass line, like a pulse, in four-four time and fill up all the cracks with sparkling melody. Parish sings folk songs to his young daughter and, through her new ears, begins to truly appreciate the regional music of his adopted home in the Appalachian town of Asheville, North Carolina. One winter’s night, just before bed, he thinks, “I’ll write an arrangement of ‘The Cuckoo’ for solo guitar.” Instead, Parish records 45 minutes of music, twelve folk songs, in a trance-like effortless stream of free association. He goes to sleep. It’s as if someone else played it, and he listens to the recording in the coming days twenty or more times. He sends it to friends and labels. The music catches the ear of the great and famous composer and saxophonist, John Zorn, who lives up in New York City. Zorn asks Parish if he would like to record on better equipment, offering him a small budget, and tells him that he can record it whenever he feels ready.

Six months later a recording session in a cabin in the woods yields a 15-song album of original arrangements and improvisations of gospel, folk, blues, field hollers, Child ballads, Scottish traditionals, and Appalachian tunes. Undertaker Please Drive Slow.
text list
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venue info
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Wednesday

Sheer Mag

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Doors 8:30, Show 9:30 - $10adv / $12

Tickets, please
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19
Thursday

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Doors 7pm, Show 7:30 - $10

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20
Friday

San Fermin

w/ Gracie and Rachel

Doors 8pm, Show 9pm - $12adv / $14

Tickets, please
MILD HIGH CLUB LANDSCAPE BY TAYLOR BOYLSTON
Oct
21
Saturday

Mild High Club

w/ Anemone, Andy Loeb's Space Heater

Doors 8:30 Show 9:30 - $12adv / $14

Tickets, please
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Oct
22
Sunday

An Evening with Deloused: The Music of the Mars Volta



Doors 8pm, Show 9pm - $10

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Oct
23
Monday
Free Monday!

Daydream Creatures

w/ The Hot Knives

9pm - $Free

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Oct
24
Tuesday

Nathanael Roney presents "Dear Mother"



Doors 8pm, Show 9pm - $5

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Oct
25
Wednesday

Bill MacKay & Ryley Walker

w/ Wes Tirey

Doors 8:30, Show 9:30 - $8

Tickets, please
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Oct
26
Thursday

Son Little

w/ ALA.NI

Doors 8pm, Show 9pm - $13adv / $15

Tickets, please
AveryTare1
Oct
27
Friday

Avey Tare **At The Masonic Temple**

w/ Geologist

Doors 7pm, Show 8pm - $18adv / $20

Tickets, please
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Oct
28
Saturday

Hailu Mergia (Ethiopian R&B/Jazz/Soul)

w/ Lord King

Doors 8pm, Show 9pm - $15

Tickets, please
LA-Witch
Oct
29
Sunday

L.A. Witch

w/ White Woolly

Doors 8:30, Show 9:30 - $10

Tickets, please
15874959_1105979769501221_8171963934070992007_o
Oct
30
Monday
Free Monday!

Shaken Nature

w/ Julep, Slugly

9pm - $Free!

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Oct
31
Tuesday

Free Halloween Show! Cover Bands!



9pm

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Nov
02
Thursday

Carly Taich (Album Release Show!)

w/ Clint Roberts

Doors 8:00, Show 9:00 - $8adv / $10

Tickets, please
tinapony
Nov
03
Friday

Tina & Her Pony (Album Release Show!)



Doors 8pm, Show 9pm - $10adv / $12

Tickets, please
Jaye Bartell 1 (Erin Kennedy)
Nov
04
Saturday

Jaye Bartell

w/ Special Guest TBA

Doors 8:30, Show 9:30 - $8

Tickets, please
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Nov
05
Sunday
Stella Blue Presents...

Buzzov*en

w/ Earthride, Delicious, All Hell

Doors 8pm, Show 9pm - $15

Tickets, please
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Nov
06
Monday
Free Monday!

Indigo De Souza

w/ Corey Leiter, MJ Lenderman

9pm - $Free

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Nov
07
Tuesday

The Rural Alberta Advantage

w/ Yukon Blonde

Doors 8pm, Show 9pm - $15

Tickets, please
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Nov
08
Wednesday

Girlpool

w/ Palm, Lala Lala

Doors 8:30 Show 9:30 - $13adv / $15

Tickets, please
JSLosGatos.GreyEagle
Nov
09
Thursday
**A Benefit for Hurricane Maria relief in Puerto Rico**

Jeff Santiago & Los Gatos

w/ Modern Strangers

Doors 8:00, Show 9:00 - $Donations

captured
Nov
10
Friday

Captured! By Robots



Doors 8:30, Show 9:30 - $10adv / $12

Tickets, please
46b5dc_ac6c2dd79be59ee5c82802adcf032b3d
Nov
11
Saturday
Free Show!

VIA (Album Release!)

w/ Knives and Daggers, onj.

Doors 8:30, Show 9:30

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Nov
12
Sunday

Existing While Black: Part II - The Road to Liberation



7:30pm - $Donations

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Nov
12
Sunday

Celebrating the Hominy Creek Greenway: 6 years of community, conservation, and stewardship.



4pm - 6pm

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Nov
13
Monday
Free Monday!

BOYTOY

w/ Minorcan, The Power

9pm - $Free

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Nov
14
Tuesday

Colleen

w/ Shane Parish

Doors 8:30, Show 9:30 - $12adv / $14

Tickets, please
IMG_0984
Nov
15
Wednesday

Caleb Klauder Country Band



Doors 8:00, Show 9:00 - $10adv / $12

Tickets, please
unnamed-2-1
Nov
16
Thursday

The Moth: True Stories Told Live. (Theme: Control)



Doors 7pm, Show 7:30 - $10

Tickets, please
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Nov
18
Saturday

Chris Rodriguez & Abby The Spoon Lady

w/ The Paper Crowns

Doors 8:00 Show 9:00 - $8adv / $10

Tickets, please
BULLY
Nov
19
Sunday

Bully

w/ Aye Nako

Doors 8:30, Show 9:30 - $15

Tickets, please
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Dec
07
Thursday

The Ointment Appointment

w/ Thee Sidewalk Surfers

Doors 8:30, Show 9:30 - $5

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Dec
09
Saturday
ToneWorthy presents The Black Cloud’s Anniversary Party!

Bask

w/ Æther Realm, Daybreaker

9pm - $Free

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Dec
21
Thursday

The Moth: True Stories Told Live. (Theme: Dirt)



Doors 7pm, Show 7:30 - $10

Tickets, please