2017
Colleen w/ Shane Parish, Falcon Mitts
November
14
Tuesday
Doors 8:30, Show 9:30 - $12adv / $14
Tickets, please
Colleen
Colleen is the alias of French musician Cécile Schott, who over the course of five albums has consistently reinvented herself by taking acoustic instruments out of their usual context and pushing the boundaries of their playability, with compositions ranging from the mysterious and contemplative to kinetic and playful. Colleen has played live all over Europe, the US, Japan, Brazil and Singapore, giving more than 200 concerts in prestigious venues and festivals such as Moogfest, Big Ears, Mutek, Transmediale, Villette Sonique, Rewire and many more.

From 2003 to 2007, she released three albums on The Leaf Label. While Everyone Alive Wants Answers (2003) was made up entirely of acoustic samples taken from her eclectic record collection, The Golden Morning Breaks (2005) saw her exploring a wide range of acoustic instruments which she all played herself.

In 2006 French radio station France Culture’s commission for a “radiophonic workshop” became the Colleen et les Boîtes à Musique EP, focusing on the sound world of music boxes. 2007’s Les Ondes Silencieuses fulfilled her dream of making a modern album using almost exclusively baroque instruments (viola da gamba, spinet, clarinet, classical guitar and crystal glasses).

After a break from recording and touring, Colleen returned with The Weighing of the Heart in May 2013 on Second Language, with a significant shift in approach, focusing on the voice and on a more colorful and rhythmic approach, still using a wide variety of instruments and introducing a modified treble viola da gamba.

Her fifth album Captain of None, released on Thrill Jockey in 2015, is the most melodic in her repertoire, with fast-paced tracks rooted by prominent bass lines and her instruments of choice, the treble viola da gamba and her voice. It features delicately crafted, other-worldly pop songs incorporating dub-inspired techniques.

She will release her 6th album this fall on Thrill Jockey, this time focusing on electronics and voice.


Press quotes:
-NPR Music’s 50 Favorite Albums of the Year

-NPR Music’s Top 10 Electronic Albums of the Year

-Jon Caramanica (New York Times) Top 10 Albums of the Year

“Exquisite, precise music made of unlikely inputs ... The result is like a heart that pumps blood and also data.” –New York Times

“It is a wondrous concoction, simultaneously ancient and modern, brought together by technology and the ear of a woman who unites epochs.” –NPR

“French pop composer Cecile Schott sounds as if she’s whispering her dubbed-out lullabies from the bottom of the ocean.” –Washington Post

“But more important than what jumps out at you is what doesn’t: silence, delay and the hypnotic effect of repetition are as much instruments as the musical instruments themselves. Those are all qualities we usually associate with techno, and that’s where Schott really shines.” –Resident Advisor

“Captain of None is yet another absolutely stellar Colleen album.” –Brainwashed

“This newly arrived 2015 follow-up is the classic reaffirmer that galvanizes what precedes even as it quietly surpasses” –Tiny Mix Tapes

“If eclectic, Schott’s oeuvre is an inviting one, in particular most recently, and it’s readily clear she’s interested in a dialogue with as many open ears as can be reached. Through Captain of None it’s just as apparent that as Colleen she remains a thousand miles away from pandering for listenership.” –The Vinyl District

“More than any sort of technical achievement or genre alteration, Captain of None powerfully blends the mythic, organic, and
internal.” –Consequence of Sound

“In fact, there are times on Captain of None where the album’s architecture is so compelling it’s easy to miss the resonance of the songs themselves. But pieces like “I’m Kin” and the title track positively vibrate with melodic ideas, their lyrics filled with oblique little koans.” –Pitchfork

“There’s worlds of space in the song, yet it still teems with activity, like a window looking out onto a blizzard.” –Pitchfork

“Schott dares you to pay attention to the slightest movements in her alien world.” –Consequence of Sound

“The result is gorgeous, like a quietly brewing storm of layered pizzicatos, bouncing off the walls and grazing your ears as they glide past you.” –Stereogum
Shane Parish
Here is a boy who, at age 14, picks up a guitar for the first time and decides “this is it!” This is the escape hatch from the tragedy and trauma of an unstable childhood in the sweltering heat, chaos and congestion of sunny Fort Lauderdale, Florida. In music Parish finds stability and eternity and truth, elevated beyond the work-a-day grind and fight for mere survival. There is no music in his childhood home aside from what is being administered on the TV and radio, so music must be sought out and discovered, in the days before everything is instantly discoverable. There is jazz and blues and Cuban and classical music in South Florida. There are innumerable Florida death metal bands and Marilyn Manson is an unsigned local act. Riffs by Iron Maiden and Metallica and Pink Floyd are being passed around by friends, and the friends form bands, and write songs, and try to be original. The ego is broken down and made permeable by the ingestion of psychedelics, and music and life become integrated on a cellular and spiritual level… Naturally, school and work hold very little interest at this point, and the boy Parish drops out and tells everyone he is going to just play guitar.

Here is a young man who, at age 26, has just played his first international jazz festival in Austria with his confrontational, no-holds-barred, avant-garde, instrumental rock band, Ahleuchatistas [AH-LOO-CHA-TEES-TAS]. It’s really just a punk band in this incarnation, almost like Fugazi meets Captain Beefheart. The crowd loves it and the world feels less lonely. Parish is on the cusp of wrapping up a university degree in philosophy, in which he becomes deeply immersed in the anarcho-musico-Buddhist ideas of composer John Cage. He has long dipped his toe in different styles of guitar playing, but has barely scratched the surface, really. Parish’s explorations are now led by an ethos of wide open curiosity and awareness. Jazz is an obsession and John Coltrane is a guiding light in any situation. There is a radio interview with Coltrane in the early 60’s, just before he goes on to record “A Love Supreme”, in which he talks about how he is currently trying to “deepen his roots” because he “skipped over a lot of stuff”. This conversation leaves a lasting impression.

Here is a family man who, at age 38, makes his living playing gigs and teaching lessons. Still very much the experimentalist, touring musician and collaborator, with over 20 albums in his discography, he has spent the past decade cultivating a more embodied approach to playing the guitar: how to pull out the most beautiful sound, or whatever desired effect, by following the breath and touching the string just so. Parish has taught himself classical guitar, as a practice like meditation or Yoga or Tai Chi. As a boy he thought the tape was warped and that was why Andres Segovia’s guitar sounded like flowing water. Now Parish knows that being completely in the moment is the real cause. He turns to the blues and folk music where a universal magic is being shared and passed down generations and permeating every other form of music. Elizabeth Cotten and John Hurt hypnotize and heal with a simple root-five bass line, like a pulse, in four-four time and fill up all the cracks with sparkling melody. Parish sings folk songs to his young daughter and, through her new ears, begins to truly appreciate the regional music of his adopted home in the Appalachian town of Asheville, North Carolina. One winter’s night, just before bed, he thinks, “I’ll write an arrangement of ‘The Cuckoo’ for solo guitar.” Instead, Parish records 45 minutes of music, twelve folk songs, in a trance-like effortless stream of free association. He goes to sleep. It’s as if someone else played it, and he listens to the recording in the coming days twenty or more times. He sends it to friends and labels. The music catches the ear of the great and famous composer and saxophonist, John Zorn, who lives up in New York City. Zorn asks Parish if he would like to record on better equipment, offering him a small budget, and tells him that he can record it whenever he feels ready.

Six months later a recording session in a cabin in the woods yields a 15-song album of original arrangements and improvisations of gospel, folk, blues, field hollers, Child ballads, Scottish traditionals, and Appalachian tunes. Undertaker Please Drive Slow.
Falcon Mitts
"Patrick Kukucka creates free reed worlds."
text list
with images
venue info
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Feb
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Sunday

Reverend Reach Around

w/ Almuten, Zin Vetro, DJ Matthew Storm Schrader

Doors 8:30, Show 9:30 - $5

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Feb
19
Monday
Free Monday!

The Dirty Soul Revival

w/ Galena, The Andrew Thelston Band

9pm - $Free!

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Feb
20
Tuesday

Bad Ties

w/ Furnace Creek, Pale Talk

9pm - $5

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Feb
21
Wednesday
Free Show!

Wayland

w/ Jeff Santiago & Los Gatos

Doors 7:30 - $Free Show!

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Feb
22
Thursday

Kitty Tsunami

w/ The Cannonball Jars, North By North, Luxury Club

Doors 8:00, Show 9:00 - $5

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Feb
24
Saturday

Nest Egg

w/ Aunt Sis, Matt & Jon spinning Xian Records

Doors 8:30 Show 9:30 - $5

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Feb
25
Sunday

Diet Cig

w/ Great Grandpa, The Spook School

Doors 8pm, Show 8:30 - $13adv / $15

Tickets, please
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Feb
26
Monday
Free Monday!

Rich Girl Poor Boy

w/ Morgan Orion, Never Getting Famous, Noel Thrasher

9pm - $Free

conan
Feb
28
Wednesday

Conan

w/ The Ditch and The Delta, Waft

Doors 8:30, Show 9:30 - $12adv / $14

Tickets, please
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Mar
01
Thursday

Pictures of Vernon

w/ Prince Daddy and the Hyena, TBA

Doors 8:30, Show 9:30 - $5

arliepress-1
Mar
02
Friday

Arlie

w/ William Hinson

Doors 8:30, Show 9:30 - $10

Tickets, please
sm-mercurists
Mar
03
Saturday

Stephanie Morgan and the Mercurists (Birthday Show!)

w/ "Night of Bravery"

Doors 8pm, Show 9pm - $8adv / $10

Tickets, please
ITPOW
Mar
04
Sunday

In The Presence of Wolves

w/ GEPH, Verse Vica

Doors 8:30, Show 9:30 - $8

Tickets, please
ed-schrader
Mar
05
Monday

Ed Schrader's Music Beat

w/ Kreamy 'Lectric Santa

9pm - $Free

Tickets, please
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Mar
06
Tuesday

Escondido

w/ KOLARS

Doors 8:30 Show 9:30 - $12adv/ 15

Tickets, please
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Mar
07
Wednesday

Shopping

w/ French Vanilla

Doors 8:30, Music 9:30 - $10adv / $12

Tickets, please
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Mar
08
Thursday

Combo Chimbita

w/ DJ Malinalli & DJ Red Iyah from Asheville FM's Ritmo Kultural, Marty Chutrovich: Club Organ

Doors 8:00, Show 9:00 - $8adv / $10

Tickets, please
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Mar
09
Friday
Orbit DVD Presents...

Everything Is Terrible!



Doors 8pm, Show 9pm - $10

Tickets, please
brothers-griiin
Mar
09
Friday

Official Flaming Lips After-Party w/ Brothers Griiin!!!



Doors 11pm - $Free!

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Mar
10
Saturday
Harvest Records & The Mothlight Present...

A Cosmic and Earthly History of Recorded Music According to Mississippi Records



Doors 8pm, Show 9pm - $10

Tickets, please
MOTH
Mar
15
Thursday

The Moth: True Stories Told Live (Theme: Tests)



7pm - $10

Tickets, please
SoftKill
Mar
16
Friday

Soft Kill

w/ Choir Boy, Secret Shame

Doors 8:30, Show 9:30 - $10adv / $12

Tickets, please
white-oak-splits
Mar
17
Saturday

White Oak Splits

w/ The Hot Knives, The Fuzzards

Doors 8:30, Show 9:30 - $6

snail-mail
Mar
19
Monday
Free Mothlight Monday!

Snail Mail

w/ Shame, BEX

Doors 8pm, Show 9pm - $Free

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Mar
20
Tuesday

Courtney Marie Andrews

w/ Matt Dorrien

Doors 8pm, Show 9pm - $10adv / $12

Tickets, please
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Mar
21
Wednesday
Stella Blue Presents...

Dead Meadow

w/ Dallas Acid, Delicious

Doors 8:30, Show 9:30 - $12adv / $15

Tickets, please
steve-gunn
Mar
22
Thursday

Steve Gunn

w/ Nathan Bowles

Doors 8:30, Music 9:30 - $13adv / $15

Tickets, please
thelma
Mar
23
Friday

Thelma and the Sleaze

w/ Kitty Tsunami, Bad Molly

Doors 8:30, Show 9:30 - $10adv / $12

Tickets, please
agent-orange
Mar
28
Wednesday
Worthwhile Sounds Presents...

Agent Orange

w/ The Atom Age

Doors 8pm, Show 9pm - $15

Tickets, please
Caroline Rose
Mar
29
Thursday

Caroline Rose

w/ Wasi

Doors 8pm, Show 9pm - $10adv / $12

Tickets, please
loamlands
Mar
30
Friday

Loamlands

w/ Nana Grizol

Doors 8:30, Show 9:30 - $10adv / $12

Tickets, please
brie-capone
Mar
31
Saturday

Brie Capone

w/ The Maggie Valley Band

Doors 8pm, Show 9pm - $8

Tickets, please
khruangbin
Apr
04
Wednesday
The Mothlight & The Grey Eagle Present...

Khruangbin **AT THE GREY EAGLE**

w/ The Mattson 2

Doors 8pm, Show 9pm - $15adv / $17

Tickets, please
event-spellingbee-winners
Apr
04
Wednesday
The Literary Council of Buncombe County Presents:

The 27th Annual Spelling Bee!



6pm - 9pm - $10

Tickets, please
xiu
Apr
06
Friday

Xiu Xiu

w/ TBA

Doors 8:30, Show 9:30 - $12adv / $15

Tickets, please
circuit-des-yeux
Apr
10
Tuesday

Circuit des Yeux

w/ TBA

Doors 8:30, Show 9:30 - $10adv / $12

Tickets, please
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Apr
13
Friday

2018 AVL Shellac Bash II



Doors 7pm, Show 8pm - $10adv / $12

Tickets, please
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Apr
14
Saturday

Nap Eyes

w/ She-Devils

Doors 8:30, Show 9:30 - $12adv / $14

Tickets, please
screaming
Apr
15
Sunday

Screaming Females

w/ Thou, HIRS, Teenage Halloween

Doors 8pm, Show 9pm - $15

Tickets, please
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Apr
18
Wednesday

RLYR

w/ Fotocrime, Secret Shame

Doors 8:30, Show 9:30 - $10adv / $12

Tickets, please
MOTH
Apr
19
Thursday

The Moth: True Stories Told Live (Theme: Caught)



Doors 7pm, Stories 7:30 - $10

Tickets, please
Durand-Jones
Apr
24
Tuesday

Durand Jones & The Indications

w/ Major Murphy

Doors 8:30, Show 9:30 - $12adv / $14

Tickets, please
acid-mothers
Apr
25
Wednesday

Acid Mothers Temple & The Melting Paraiso UFO

w/ Yoo Doo Right

Doors 8:30, Show 9:30 - $12adv / $14

Tickets, please
lomapress
Apr
27
Friday

Loma

w/ Jess Williamson

Doors 8:30, Show 9:30 - $10adv / $12

Tickets, please
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Apr
28
Saturday

The Soft Moon

w/ Boy Harsher

Doors 8:30, Show 9:30 - $13adv / $15

Tickets, please
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Apr
30
Monday

Imarhan (Sadam from Tinariwen)

w/ TBA

Doors 8pm, Show 9pm - $15

Tickets, please
MOTH
May
16
Wednesday

The Moth: True Stories Told Live (Theme: Ego)



Doors 7pm, Stories 7:30 - $10

Tickets, please
pillorian
May
24
Thursday

Pillorian

w/ Shadow of the Destroyer, All Hell

Doors 8:30, Show 9:30 - $10adv / $12

Tickets, please
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May
27
Sunday

A Place To Bury Strangers

w/ Prettiest Eyes

Doors 8:30, Show 9:30 - $12adv / $14

Tickets, please
MOTH
Jun
21
Thursday

The Moth: True Stories Told Live (Theme: Endings)



Doors 7pm, Stories 7:30 - $10

Tickets, please