2017
Beach Slang w/ special guest *repeat repeat
September
06
Wednesday
Doors 8:30, Show 9:30 - $15
Tickets, please
Beach Slang
Beach Slang are a band who have garnered a lot of attention considering that they've only released two 7-inches, 2014's Cheap Thrills On A Dead End Street and its companion Who Would Ever Want Something So Broken? Refreshingly this Philadelphia-based act have built their hype the old-fashioned way, without any gimmicks or marketing teams, which makes sense when you consider that frontman and writer James Alex cut his teeth in the Pennsylvania pop-punk act Weston while drummer JP Flexner and bassist Ed McNulty also play in buzzed about projects such as Ex-Friends and Crybaby. However there's something indefinable about Beach Slang's music that evokes the spirit of punk and juxtaposes it into something that's as brutally honest as it is infectiously catchy.

"When this whole thing started it was like, 'Alright, i'm going to get to hear my sappy little songs played loud and interact with other human beings again,' the admittedly shy Alex says looking back on Beach Slang's existence. "Then one day this really sweet explosion happened and Beach Slang became a thing that mattered to people." As anyone who has seen Beach Slang live can attest, it matters to people a lot including the group's peers like Cursive who hand-selected Beach Slang to open for them on their upcoming headlining tour. "I used to skate with this really sweet girl who would refer to the way I spoke as 'beach slang' and I've never shaken that off," Alex continues. "The really soft parts of your childhood, I suppose, have a way of sticking around. I like that."

That feeling of youth and vulnerability also lie at the core of Beach Slang's music, which is part punk, part pop and all catharsis. It references the ghosts of The Replacements but keeps one foot firmly rooted in the present. It's fun and it's serious. It's sad but it isn't. It's Beach Slang. Enjoy it and look out for the band's debut full-length later this year because they're still just getting started.
*repeat repeat
Mixing the sunny swoon of sixties pop with a dark swirl of Warholian garage rock, *repeat repeat create their own geography, dreaming up songs rooted in the spirit of both coasts. Based in Nashville, TN — where frontman Jared Corder, drummer Andy Herrin, and keys/singer Kristyn Corder kicked off the band's career with 2014's Bad Latitude — the three musicians look beyond the borders of their landlocked hometown and, instead, mix California surf culture and New York street smarts into the same tracklist. They're a blend of bloom, doom, and boom. They're Dick Dale's snot-nosed grandkids. They're *repeat repeat.

A self-described family business, *repeat repeat was co-founded by Jared Corder — a former punk-rock kid raised on the sounds of Bad Religion and Black Flag — and Herrin, a lover of '90s artists like Nada Surf and Gin Blossoms. The goal was simple: to make edgy, guitar-driven music that nodded to the classic sounds of Jared's California birthplace, complete with hazy harmonies and surf-inspired arrangements. The problem? The group needed a female harmony singer, and nobody seemed to fit the bill.

Things changed when the band's producer, Gregory Lattimer (Albert Hammond Jr.), suggested that Jared's wife, Kristyn, sing with the band. The fit was natural. Kristyn had grown up in California, listening to '60s legends like the Mamas and the Papas and The Everly Brothers. She quickly completed the band, sharing vocal duties with Jared and serving as the inspiration for much of Bad Latitude — a debut album largely written by Jared during the couple's engagement, filled with songs about love, life, and the promise of new partnerships — along the way.

*repeat repeat hit the road in support of Bad Latitude's release in the summer of 2014. They traveled from city to city, while Nashville's top-ranked radio station, WRLT Lightning 100, supported the band with plenty of airplay back home. Most importantly, the bandmates saw the country and gained new perspectives. When it came time to write a second record, those perspectives came into play, inspiring *repeat repeat to write songs not only about themselves, but about the characters orbiting around them.

Floral Canyon (their sophomore release) stretches the band's musical envelope, adding depth, drive, and darkness to the sun-baked, surf-tinged pop music that's always been their bedrock. Produced once again by Lattimer, the album tackles modern culture ("Plugged In"), rocky relationships ("Mostly"), religious ideologies ("Speaker Destroyer"), and all points in between. Gluing everything together is the band's melodic, musical attack: equal parts percussive thunder, trembling organ, synth pads, coed harmonies, and wide-ranging guitar parts.

The album's name is a sly salute to California's Laurel Canyon, whose rolling hills were home to some of America's best musicians during the '60s and '70s. The SoCal salute came in handy when *repeat repeat caught the attention of notable Silverlake-based label Dangerbird Records, who agreed to release Floral Canyon in the fall of 2017. *repeat repeat’s sound is bold, bi-coastal beach pop, at once coolly current and proudly vintage. It's sugar-coated music with a raw, real, rocky center. And, once again, it's unmistakably *repeat repeat. -Andrew Leahey
text list
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venue info
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